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    • Dancing Astronaut
      By Dancing Astronaut
      As more than 2,000 delegates begin to arrive in Beijing for China’s Communist Party Congress, country officials have called for the temporary closure of the nightclubs located in the capital as part of an effort to heighten security for the event. The meeting takes place every five years — it officially began on Wednesday, October 18 —and will extend into next week.
      All Beijing based nightclubs have consequently been instructed to remain closed until the congress concldes. The abrupt shutdown has forced many Beijing promoters and nightlife entities to cancel anticipated events.

      Nightclubs however are not the sole spaces being targeted for closure by officials. Airbnb rentals and restaurants, gyms, and karaoke bars are also being required to temporarily halt activity, the effort part of a larger initiative to “reduce the flow of outsiders to the capital.” While Beijing residents might find their weekend somewhat uneventful as a result, the closure will remain brief.
      H/T: Resident Advisor
      Read More:
      Tiësto previews Club Life Vol. 5 as his mix series ventures to China
      Ultra China drops phase one lineup with Martin Garrix, Porter Robinson and more
      China’s STORM Festival announces expansion into overseas markets
      Source: Dancing Astronaut
    • Dancing Astronaut
      By Dancing Astronaut

      A new documentary produced by DJsounds offers insight about the structure of a DJ’s life between the beat drops. Titled Why We DJ—Slaves to The Rhythm, the documentary is an exploration of the lifestyle of a DJ that paints a portrait of the personal sacrifices made by DJs in their effort to play a variety of gigs around the world. It features industry icons like Seth Troxler, Erick Morillo, and Carl Cox, inviting the artists to speak candidly about the mental and physical detriments of a career defined by its exacting and unremitting schedule.
      Why We DJ—Slaves to The Rhythm debuted at this year’s Amsterdam Dance Event in association with Help Musicians UK and the Association for Electronic Music, two entities seeking to bring a greater sense of awareness to the prevalence of mental health issues in the music industry. Help Musicians UK’s recent study regarding mental health among musicians determined that musicians are three times more likely to suffer from depression as compared to the public.
      “I think a lot of people see a guy DJing at a party and they think it’s cool, but they don’t really understand the mental and physical toll,” Seth Troxler states.” Harley Lunar echoes Troxler, remarking “People think it’s a really glamorous lifestyle [DJing], but I think it’s only glamorous for a very small amount of people, and even then you can’t escape the rigorous schedule.” Troxler goes on to highlight the fact that many DJs travel completely alone, leading to feelings of loneliness and isolation that can be as extreme as the high produced by standing before a crowd of thousands during a set.
      A probing inquiry into the reality behind the perceived glitz of the profession, Why We DJ is a project that sets out to make off stage moments more visible, making the assertion that despite its designation, a “dream job” doesn’t come without its own challenges.
       
      Read More:
      New study indicates musicians may be 3x more likely to suffer from depression compared to the public
      AFEM works with Help Musicians UK to create mental health support line
      New study confirms that avid concert-goers are generally happier people
      Source: Dancing Astronaut
    • Dancing Astronaut
      By Dancing Astronaut
      Guestlist 4 Good have just announced the second phase of artists added to the World’s Biggest Guestlist Festival, to be held in Mumbai from December 1-3. With over 250,000 registrations, the charitable festival aims to smash the world record for the Largest Guestlist, while also funding secondary education for over 100,000 underprivileged Indian children.
      The final night of the three-day extravaganza will be headlined by DJ Mag No.1 Hardwell, who will be ably aided by new additions and fellow Dutch artists W&W, Kill The Buzz, Suyano, as well as one of India’s hottest homegrown talents, Shaan.
      In the words of Hardwell himself: “Our goal is to put 100,000 underprivileged Indian children into education and help to give them a better start in life and I am honored to be bringing my friends W&W, Kill the Buzz, Suyano and SHAAN, to help me do it. This United Are We event will be something very special and we hope that you the fans will be a part of this incredible aid-event.”
       
       
      Read More:
      Ultra Worldwide hosts more than 1 million attendees in banner 2017 year
      Premiere: Corey James feat. HENKO – Back In Time (Radio Mix)
      Armin van Buuren embarks on a 14 hour ASOT mission in honor of ADE [LIVE STREAM]
      Source: Dancing Astronaut
    • YourEDM
      By YourEDM
      Like many people, I assume, I was introduced to The Bloody Beetroots through his single “Warp 1.9” with Steve Aoki. That “whoop whoop” became the anthem of 2009-2010, and my eyes still light up now when I hear it teased before a drop. Years later, The Bloody Beetroots dropped his sophomore album, Hide. It performed infinitely better than Romborama did on the charts, though in the grand scheme of dance music history, it hasn’t withstood the test of time.
      Today marks the release of The Bloody Beetroots third album, The Great Electronic Swindle. I’ve had this album since July, and truthfully it has been one of the greatest secrets I’ve ever had to keep in my time as a music journalist. Through each and every re-listen, this album has consistently blown me away with its inventive blend of rock and electronic elements. Such a feat, for me, hasn’t been accomplished Pendulum’s In Silico or last year’s Warrior Sound by The Qemists.
      A large part of the album’s charm is its flow. Despite being 20 tracks long, it never feels like it’s dragging or jumping ahead. Even when two consecutive songs are at complete odds with each other, as is the case with “Invisible” and the following “All Black Everything” … it works. Bright, opulent melodies followed by brash, rugged guitar riffs somehow creates a very unique and altogether “bloody” universe in which Sir Bob Cornelius Rifo resides.
      And speaking of “Invisible” with Greta Svabo Bech, that is probably one of the most beautiful, goosebump-inducing electronic songs I have heard in bass music in a long, long time. I get chills every time.

      The list of collaborators on the record is also quite impressive. One of the most notable collaborations comes in “Pirates, Punks & Politics” with Perry Farrell, the legendary frontman for rock group Jane’s Addiction; the song also features a writing credit from Tommy Lee.
      Other collaborations on the album come from deep within the rock world such as Gallows, Anders Friden of In Flames, Deap Vally and JET who banded together for their first recording in seven years with the double single “My Name Is Thunder.” There are also appearances from Greta Svabo Bech, known for her angelic vocals, pop’s Eric Nally (Foxy Shazam) and Mr. Talkbox, plus Rival Sons’ Jay Buchanan who takes a twist with the ballad “Nothing But Love.”
      “This is the first time I have used so many vocalists and lyrics in The Bloody Beetroots music. I chose the greatest vocalists I knew that could help tell the story of about four years of life,” says The Bloody Beetroots about The Great Electronic Swindle.
      Kristine Cannon for Alternative Press wrote that this album “might just become the next shining gem that not only adds substance to the electronic world, but also merges electro and rock in a powerful way.” I would be hard pressed to argue with Cannon’s assessment.
      For this writer, at least, this is the #1 album in dance music of 2017.
      Listen to The Bloody Beetroots’ new album The Great Electronic Swindle below.

      North American dates for the “My Name Is Thunder Tour” are:
      10/27 | Music Box | San Diego, CA
      10/28 | Independent | San Francisco, CA
      10/29 | The Fonda Theatre | Los Angeles, CA
      10/31 | The Depot | Salt Lake City, UT
      11/2 | Summit Music Hall | Denver, CO
      11/4 | First Avenue | Minneapolis, MN
      11/5 | Concord Music Hall | Chicago, IL
      11/6 | Magic Stick | Detroit, MI
      11/7 | Opera House | Toronto, ON
      11/9 | Warsaw | Brooklyn, NY
      This article was first published on Your EDM.
      Source: The Bloody Beetroots Releases Best Album Yet, “The Great Electronic Swindle”
      Source: Your EDM
    • YourEDM
      By YourEDM
      It’s no secret Idris Elba is a phenomenal actor, but not many people know that he is a great producer. He has released singles and collaborated with the likes of Fatboy Slim and others, and now he returns to his house roots with two new remixes. The remixes are for Shy FX‘s new single “Chocolate,” and both show two interesting sides of Elba’s music.
      Produced under Elba’s Driis alias, the “Chocolate” remixes are great house tracks. The 7 Wallace mix goes for the dancefloor, including heavy kicks and catchy bass. Elba cuts Roses Gabor‘s vocals into quick splices, which creates a nice melody. Meanwhile, the Sugar Zaddy mix brings rapper Ghetts‘ vocals into the mix. Also, Roses Gabor’s vocals play a bigger part in the Sugar Zaddy mix. Ultimately, the contrast in both mixes reinforces Elba’s penchant for producing house. While both mixes reconfigure the original drum and bass track, the differences between the two manage to stand out. We know Elba keeps busy starring in huge movies, but we hope to hear more tracks from him soon.
      Listen to Elba’s two remixes for “Chocolate” below:


      This article was first published on Your EDM.
      Source: Actor Idris Elba Goes House for Two New Remixes
      Source: Your EDM
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