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    • GALLEON
      By GALLEON
      Sunshine is her real name. We're not shitting you - Sunshine Rosie Trott. Her parents were hippies. Her father lives off-grid in northern New South Wales somewhere. But the well known Melbourne DJ started in Perth.  Everyone has story – a past, a present and an imagined future. But Sunshine’s happens to be like a Hollywood script, except of course no-one has made this up - it’s all real and it spans triumph and tragedy and back again. It’s quite a thing, and she is quite something.
       
      Sunshine has been heating up the Melbourne scene for almost two decades already! If you ask her, Sunshine will say her sets are all about "fun". Earning her stripes in a myriad of different spaces around town, she’s created a sound that is truly her own. What gives her the edge is sheer versatility – you’re just as likely to hear bleeding-edge techno alongside tech house, house and disco all in the space of one beer. Hapno is the sound and it sure ain’t coming from anyone else.
       
      Ozclubbers' Galleon managed to get some one-on-one time with this amazing and yet still very friendly artist who has established herself as a staple in the Melbourne scene, well known these days for her Rise & Shine at Revolver Upstairs every saturday morning from 7am.
         
       
      So what or who inspired you to start DJing in the late 90's? Were there any influencial dj's or records that gave you the bug?
      Growing up I always had a passion for music. When it came to DJing there were a few things that sparked my interest and I had a moment where I knew thats what i wanted to do with my life. I was 14 yrs on a dance floor at a rave in the out skirts of Perth dancing to a DJ and I was so blown away with the energy he created mixing two records together and the effect that it had on the dance floor that I knew I wanted to learn how to do that and set off on a mission to DJ. I starting collecting records after that rave, moved to Melbourne when I was 16yrs because of the thriving music scene and finally was able to purchase my own set of Technics 1200's when I was 17yrs (Thanks to a loan form my mum which i'm forever grateful for). From the day I got my decks I practised everyday learning and perfecting my skills and I haven't looked back since. I still love DJing and couldn't imagine doing anything else.
      Other things that have influenced me are these two mix cds, I use to listen to them flat out when I was a teenager - Ritchie Hawtin - Mix Mag CD and Derrick Carter - Many Shades of Cajual CD.
      Also these were favs of mine when I was a teenager and still are today - Green Velvet - The Stalker, Moodyman - Shades of Jae, Kings Of Tomorrow - Fade To Black 

      You have been playing at Revolver for upwards of 18 years. How did you get your first gig at Revolver and what keeps you coming back each Saturday for Rise & Shine?
      Yeh I have. Its gone so fast. Revolver is definitely my musical home. When I first moved to Melbourne at 16yrs. I would buy records at Hardware and Rhythm and Soul record stores in Prahran and one time I went past revolver during the day and the guy working behind the bar said I could jump on the decks for practice. I was so stoked! Back then I was struggling to save enough cash to buy a pair of my own decks.  From that point on I started going to revs all the time which lead to a few guest spots on Friday early evening and then turned into a Wednesday night midnight residency which i held down for 2years. It was that set where I first learnt about how to build a dance floor playing different genres of music - funk, soul, hip hop, disco, house. Then at the end of that residency a DJ friend of mine Viva L'Amour, who at that time was the Saturday morning resident, invited me down to play and I feel in love with that set. It turned out she was ready to move on so I ended up taking over the spot which is now Rise & Shine.  It's my 16th year of playing every Saturday morning 7am-12pm and I still love playing to the regulars new and old and seeing the enjoyment they get dancing to my favourite music. 
       
      You have a style of playing that you loosely call "Hapno" (happy techno). Tell us a bit about this and why you infuse your techno with gospel vibes?
      Yeh thats a name I came up with years ago to explain the overall sound of what I play. Hapno ends up sounding like a fun, energetic, sometimes dark, sometimes joyus experience. I love to play at mixture of techno, soulful house and everything in between but put it together in a way of having no rules, as long as the feeling is the same with both records it doesn't matter what genre they are. My favourite type of vocals are gospel inspired ones and putting techno underneath just takes the energy on the dance floor to the next level.
       
      You recently formed the Disco Faith Choir who accompany you in live performances and sing gospel vocals over instrumentals (and some original productions). How did this come together and how do you guys work together, select tracks to perform and prepare?
      It came about when I was searching for a choir to sing on a track I was writing and I also wanted them to perform at the record release party. It turned out that it was harder than I thought to get a choir to want to perform at 2am so ended up starting my own and teamed up with gun choir leader Shobana Sebastian. After the first performance we did at the record release party I knew this is what I wanted to focus my creative energy on. It felt like a natural progression of my DJ sets adding the live element and bought the DJ sound i'm know for to life in 3D. For each show I put a set together of the perfect music and vocals that I think will have great energy on the dance floor and then Shobana helps bring my vision to life with the choir. Its a lot of fun and hard work leading up to each show.

      You have the new performance coming up in March called Angel Heart.  What can we expect to hear from both yourself and Disco Faith choir at this event?
      I'm so pumped for this. It set to be our biggest show yet. There will be a few favourite tracks in there with a bunch of new stuff two. We will also be performing for the first time our cover of Dreams and another new original called Fighting. 
       
      You consistently push out flawless productions be that originals and remixes. When making records in the studio, how do you work? Where do you start and do you always have the gospel techno vibe in mind?
      Thanks. When I start making any piece of music I make an 8 bar loop that has the guts of the track in it and then develop the arrangement from there. I find i'm way more inspired if i can imagine how the end result will sound. For Sunshine and Disco Faith Choir I do keep the gospel techno vibe in mind although sometimes it turns out more like gospel house with a tech edge depending on the music idea. For Sunshine originals and remixes I work on something until ive come up with a piece of music I'd love to play in my sets which could be anything from house to techno. 
       
      You aren't far off releasing a cover of Fleetwood Mac's seminal classic Dreams. Why did you select this one to release with the choir and who is on remix duties?
      I'm so excited for this to come out. The finished track is better than I could have ever imagined and it was a great experience going in the studio to record it with Jan Skubiszewski.  I've always been a big fan of Fleetwood Mac and in the Sunshine and Disco Faith Choir performances we have been doing a cover of it which works so well with the crowd and inspired us to give our own spin to it.  Ive been testing it out in the club at the moment and it goes offff :)...The original will be released first then I'll start looking at the right fit for remixes.

      Have you looked to overseas performances (Berlin or the like) for your gospel techno excursions?
      That is definitely a dream of mine to get myself as a DJ and also the Sunshine and Disco Faith Choir performances on the world stage especially Europe. For now i'm focusing on Australia and Melbourne which has always been so supportive of my music.

      So what's in store for the next 12 months for Sunshine?
      This years all about new music. A few new Sunshine and Disco Faith Choir singles will be out soon, followed by a couple of Sunshine originals. 

      What would be your top 5 records right now?
      Dreams by Sunshine and Disco Faith Choir
      Labyrinth by Moonwalk
      My Lita (Mark Broom Remix 1) by P.leone
      Dance With The Devil By Reinier Zonneveld 
      37000 FEET (Sunshine Remix) By Holmes John and Sante 
       
      Finally, what is something we may not know about you?
      I love dogs..
       
      Thanks Sunshine for chatting with us!
            Sunshine can be seen at every saturday morning at Revolver Upstairs from 7am!
      More info here:  https://www.facebook.com/sunshinethedj
       
      Sunshine and the Disco Faith Choir will appear at their new event "Angel Heart" at 170 Russell on Sunday 10th March 2019
      Info and tickets available here: https://www.facebook.com/events/341055826687978/   Watch:    
      Listen:
       
       
    • Adam Madd
      By Adam Madd
      NextVR, the leader in broadcasting live events in virtual reality and Central Station Records have announced a new partnership.  Bringing fans unprecedented music experiences, providing up-close-and-personal access to some of the hottest electronic music artists and internationally acclaimed venues.
       
      NextVR will launch the exclusive partnership by releasing a first of its kind immersive music experience from the NextVR studio.  Hosted by Emmy-nominated personality Alex Hudgens.  The show will be accompanied by other on-demand virtual reality experiences featuring renowned Australian DJ Brooke Evers, musical group Killer Hertz and VIP access into Tokyo’s best nightclubs.
       
      “Central Station Records has been on the cutting edge of dance music since the 1970’s, beginning as a small vinyl store in Australia importing disco records.  From disco and house to hip hop and hardcore, Central Station has helped define what EDM music means and the lifestyle surrounding it” said Danny Keens, VP of Content at NextVR. “Now Central Station teleports fans into the heart of global clubbing.  From the famed Ministry of Sound club in London, to the dark underground music scene of Tokyo, to party hopping on the club scene in Los Angeles.  This is VIP access for music fans.”
      "These immersive experiences from the NextVR studio are a new way to experience music.  With NextVR’s stunning technology, we’re giving fans VIP access to clubbing hotspots and big artists, to underground gems in far flung locations” said Jamie Raeburn, Director at CSR. “Central Station has always led the music business by giving fans new experiences.  This is next level - you’re literally next to the DJ, or front and center on the floor.  It’s all about the music and we love it.”
       
      All content was captured and produced by NextVR in a 3D stereoscopic VR format.  The experiences are now available for free, to fans globally on a new Central Station Records channel within the NextVR app.
       
      NextVR is available on nearly all existing VR platforms.  Fans can download the free NextVR app from the stores associated with the following platforms: Oculus Go, Oculus Rift, PlayStation VR, HTC VIVE Pro, HTC Vive Focus, HTC VIVE, Windows Mixed Reality, Pimax, Gear VR, and Google Daydream.
       
      About NextVR: NextVR is the world’s best virtual reality platform for delivering live sports and music in VR to fans globally.
       
      About Central Station Records: Founded in the 1970s, Central Station Records grew from a tiny Melbourne store in Australia into an iconic dance music, streetwear and media brand. As Australia’s longest running independent record label, Central pioneers the best in house, electro, trance, urban and EDM from around the world. 
       
      For more info:
      Visit nextvr.com and follow @NextVR on Twitter and Instagram
      Mike Kerry Central Station VR: mike.kerry@nextstation.com.au
    • Adam Madd
      By Adam Madd
      The NSW Premier, Gladys Berejiklian, is creating confusion and uncertainty for any festival or community event organiser as well as millions of audience members across NSW by rejecting sensible consultation over her Government’s rushed and half-written new Music Festival Licence.
       
      Representatives from across the industry have implored the NSW Government to extend the date for the introduction of its new licensing regime for music festivals to allow for proper consultation on its operation and implementation.
       
      Despite the industry’s willingness to work constructively with Government on these issues, the Premier’s approach to the festival industry has been an uncooperative and heavy-handed ‘put up or shut down’. Following a meeting yesterday with advisers, we have been informed the Government will not change its position on the implementation of new licensing rules from next Friday.
      By refusing to consult properly with industry, as opposed to the disorganised and inadequate process it has run to date, the Premier now seems to be determined to shut down some of our best festivals for the sake of a quick media headline.
       
      The impact of the Government’s badly designed licensing requirements is already being felt with festival operators shutting down events or facing hugely inflated costs almost overnight to meet the Government’s demands. Despite statements to the media these changes won’t impact “low risk” festivals, the Government has failed to provide clarity and certainty around its risk categories. It’s a fact that well-run festivals with excellent safety records are already being affected by these new guidelines.
       
      Festivals across NSW, in metropolitan, regional and country areas will be hurt by Premier Berejiklian’s approach. Our musicians and performers, production crews and festival staff will lose jobs and income. Communities, including regional centres and country towns, which host festivals and thrive on the business generated by festivals and their fans will also be hurt.
       
      The Government’s approach does not make economic sense. Nor does it do anything to deliver better safety outcomes. If the Government was genuine in its commitment to festival safety it would be working hand-in-hand with our experienced festival organisers rather than just imposing new licensing conditions drawn up in Macquarie Street.
      We urge the Government to come to the table with a commitment to genuine and extensive consultation that includes a commitment to defer the 1 March start date for the new licensing requirements so we can understand the economic, cultural and operational impacts of the new regulations.
       
      The festival industry will be stepping up its campaign on this to make people aware of what is at stake for our music industry as well as business and tourism across the state, and will be urging all parties at the upcoming NSW election to support policies which deliver certainty for the future of music festivals in NSW.
       
      Otherwise, sadly, it looks like NSW will be Australia’s first music festival-free zone.
       
      Statement issued by:
      Australian Festival Association
      Live Performance Australia
      MusicNSW
      APRA AMCOS
      Live Music Office
       



    • Ozclubbers Staff
      By Ozclubbers Staff
      The countdown is on until ULTRA Australia 2019.  With under a week to go, the final star-studded line-up and set times have now been revealed.  Calling on a wide array of international and a selection of distinguished home-grown talent, the inaugural edition of ULTRA Australia will be one not to be missed.
       
      Internationally renowned electronic music talent from around the globe will grace ULTRA Australia’s mainstage from the likes of: The Chainsmokers, Marshmello, Martin Garrix, Illenium and more.  With a captivating jam-packed schedule of music from start to finish, patrons can make their way to the RESISTANCE and Locals Stage to catch an undeniably strong assortment of talent.
       
      ULTRA’s pioneering underground concept, RESISTANCE, welcomes a selection of house and techno royalty to celebrate their brand’s Australian debut.  Joining previously announced artists: Adam Beyer and Dubfire B2B Nicole Moudaber, are Dutch label boss Joris Voorn and Melbourne residents Steve Ward and Brooke Powell.
       
      Showcasing Australia's diverse musical talent, some of the country’s biggest and most respected artists have been added to the final lineup.  Including: Boogs, Brynny, Joel Fletcher, Mashd N Kutcher and many more, are just the latest names promising to deliver a wide variety of top-tier dance music across the weekend.
       
      Kicking off at Melbourne’s Flemington Racecourse on Saturday 23rd, ULTRA Australia will then head North to Paramatta Park in Sydney on Sunday 24th February for the second leg of its journey.  After a SOLD OUT first ever Road to ULTRA Australia, now a fully-fledged festival for 2019, this year’s edition will be one for the books.
       
      Last remaining festival tickets for both events can be found on: https://ultraaustralia.com/tickets 
       
      ULTRA AUSTRALIA SET-TIMES
         

       
      ULTRA Australia (Melbourne) Set Times
       
      Main Stage:
      12:00p.m.-12:50p.m. – Sunset Brothers
      12:55p.m-1:45p.m. – Young Bombs
      1:50p.m.-2:50p.m. – Will Sparks
      2:55p.m.-3:55p.m. – Slushii
      4:00p.m.-5:15p.m. – Illenium
      5:20p.m.-6:35p.m. – Marshmello
      6:40p.m.-8:10p.m. – Martin Garrix
      8:30p.m.-10:00p.m. – The Chainsmokers
       
      RESISTANCE Stage:
      12:00p.m.-12:45p.m. – Mickey Nox b2b John Doe
      12:45p.m-1:30p.m. – Market Memories
      1:30p.m.-2:15p.m. – Christopher Coe LIVE
      2:15p.m.-3:00p.m. – Steve Ward LIVE
      3:00p.m.-4:00p.m. – Boogs
      4:00p.m.-6:00p.m. – Joris Voorn 
      6:00p.m.-8:00p.m. – Dubfire b2b Nicole Moudaber 
      8:00p.m.-10:00p.m. – Adam Beyer
       
      Locals Stage:
      12:00p.m.-12:45p.m. – Vivien b2b N.E.D
      12:45p.m-1:30p.m. – Fluke Chan
      1:30p.m.-2:15p.m. – Tigerlily
      2:15p.m.-3:00p.m. – Lucille Croft
      3:00p.m.-3:45p.m. – Piero b2b Chloe
      3:45p.m.-4:30p.m. – Yaksa
      4:30p.m.-5:15p.m. – Brooklyn
      5:15p.m.-6:00p.m. – Brynny
      6:00p.m.-6:45p.m. – Tyron Hapi
      6:45p.m.-7:30p.m. – Joel Fletcher
      7:30p.m.-8:15p.m. – Mashd N Kutcher
      8:15p.m.-9:00p.m. – Orkestrated b2b Short Round
      9:00p.m.-10:00p.m. – Scott Alert b2b Soul T b2b Dean Dee
       
      ULTRA Australia (Sydney) Set Times:
       
      Main Stage:
      12:00p.m.-12:50p.m. – Tigerlily
      12:55p.m-1:45p.m. – Young Bombs
      1:50p.m.-2:50p.m. – Will Sparks b2b Sunset Bros
      2:55p.m.-3:55p.m. – Slushii
      4:00p.m.-5:15p.m. – Illenium
      5:20p.m.-6:35p.m. – Marshmello
      6:40p.m.-8:10p.m. – Martin Garrix
      8:30p.m.-10:00p.m. – The Chainsmokers
       
      RESISTANCE Stage:
      12:00p.m.-1:00p.m. – Lost Boys
      1:00p.m-2:00p.m. – Wild Fox
      2:00p.m.-3:00p.m. – Nick Reverse b2b Hoten
      3:00p.m.-4:00p.m. – Brooke Powell
      4:00p.m.-6:00p.m. – Joris Voorn
      6:00p.m.-8:00p.m. – Dubfire b2b Nicole Moudaber 
      8:00p.m.-10:00p.m. – Adam Beyer
       
      Locals Stage:
      12:00p.m.-12:45p.m. – Chivers b2b JDP
      12:45p.m-1:30p.m. – Indigo Starlight b2b L.A.M.
      1:30p.m.-2:15p.m. – Lucille Croft b2b Jay Sounds
      2:15p.m.-3:00p.m. – Mike Hyper b2b Fluke Chan
      3:00p.m.-3:45p.m. – Dimatik b2b Krunk
      3:45p.m.-4:30p.m. – Bustarow
      4:30p.m.-5:15p.m. – Rojdar
      5:15p.m.-6:00p.m. – Brynny
      6:00p.m.-6:45p.m. – Tyron Hapi
      6:45p.m.-7:30p.m. – Joel Fletcher
      7:30p.m.-8:15p.m. – Mashd N Kutcher
      8:15p.m.-9:00p.m. – Toneshifterz
      9:00p.m.-10:00p.m. – Hard Dance Alliance
       
       
      ULTRA AUSTRALIA 2019 - LINEUP (IN ALPHABETICAL ORDER)
       
      Headliners (in alphabetical order):
      Adam Beyer
      The Chainsmokers (LIVE)
      Dubfire b2b Nicole Moudaber
      Illenium
      Joris Voorn
      Marshmello
      Martin Garrix
       
      Support:
      Slushii 
      Young Bombs
       
      Additional Support:
      Sunset Brothers
      Tigerlily
      Will Sparks
       
       
      ULTRA AUSTRALIA 2019:
       
      Melbourne – Saturday 23 February 2019 – Flemington Racecourse
       
      Sydney – Sunday 24 February 2019 – Parramatta Park
       
       
      Tickets on Sale Now!
       
      WATCH THE ‘ULTRA AUSTRALIA’ 2019 TRAILER: https://bit.ly/2MmGR8D
       
      For more information, go to:
      http://www.ultraaustralia.com
      https://www.facebook.com/ultraaustralia
      https://twitter.com/ultraaustralia
      https://www.instagram.com/ultraaustralia

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