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  • We source our news and reviews from a number of sources.  From our local volunteer contributors (writers and reviewers) around Australia, to syndicated news sources including Your EDM, Dancing Astronaut, MixMag, By The Wavs, MNML, No Dough Music, Techno Kittens, Drum and Bass News, BBC, Junkee, and Trance Family.  Where the article has been sourced via syndication, you will find a link at the bottom of the article to the original source.

    Our local volunteer contributors are creative people who are passionate about the dance music and club scene in Australia and want to share their passion with others.  If you feel you fit into this category, we would love to hear from you!  Send us an application to become a contributor (writer / reviewer) by visiting https://ozclubbers.com.au/application

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    • OzClubbers
      By OzClubbers
      Even though it’s getting darker by the day, we now have something to look forward to already for the moment that the sun is starting to shine brightly again. Rebirth Festival has announced it’s line-up for the forthcoming edition. With over 100 artists divided over the 5 stages and 2 days, the 10th anniversary of the event will definitely be celebrated big time. Check out the full line-up down below.
      Over the years it has become a tradition to start the festival season at Rebirth Festival, where visitors can go back outside for two days after a winter full of indoor parties. This year it has five different stages, including everything from hardstyle to freestyle, classics to raw and much more. Day 1 is packed with harder styles artist. Besides that the guys from B-Freqz are hosting the mainstage on Sunday, there’s also hardcore making it’s debut at the festival on that same day. “Let’s kick off the festival season!”
      Rebirth Festival 2018 – 10 Years Ceremony
      The festival season will begin at Rebirth Festival on Saturday the 7th & Sunday the 8th of April 2018. Tickets for the event are now available at the official website of the event.
      This is the Rebirth Festival line-up
      The post Rebirth Festival introduces line-up for 10 Year Anniversary is visible on Hard News.
      Source: Hard News NL
    • OzClubbers
      By OzClubbers
      MasterClass, the premier online education platform, announced today that legendary DJ Armin van Buuren is teaching his first ever online class. The class is open for pre-enrollment starting today at www.masterclass.com/avb. Enrollment in the class is $90, or $180 per year for unlimited access to all new and existing MasterClasses with the All-Access Pass. Each enrollment option can also be given as a gift.
      Armin van Buuren, one of the most influential figures in the global dance scene, has topped the Billboard charts, attracted tens of millions of worldwide listeners to his weekly radioshow “A State of Trance,” and landed a record-setting five No. 1 DJ awards from DJ Mag’s Top 100 DJs. The Grammy-nominated artist’s work has spanned major evolutions in dance music, from spinning with vinyl in small clubs to headlining global dance festivals.
      In his 20th year as an artist, van Buuren will share insights about what it takes to get established in the competitive and ever-changing business of dance music. Students will get an intimate look into the artist’s creative process as van Buuren creates a track from scratch specifically for his MasterClass. Aspiring producers will learn his pillars for becoming a world-class DJ—production, performance, and promotion. The class dives into the more technical aspects of producing, including mixing, arranging, and building dance-worthy drops.
      “Nowadays, to be a successful artist and DJ, it’s not enough to just know how to spin records. If you want to stand out, you need to make your own records, write music, and make remixes and mashups for your DJ sets. I’m truly excited to share my passion for producing music and DJing in my MasterClass,” said Armin van Buuren, MasterClass instructor. “It’s the first time I get to show you my secrets and tips, and everything I’ve learned in my twenty years in this business.”

       
      “Armin is an international icon of dance music. Despite his musical genius, he has stayed humble, hard-working, earnestly connected to his fans, and has never lost sight of the joy in his work. His passion for teaching is infectious. There really is an art and science to making people dance — it has to do with sculpting sound, mixing, and arranging songs for maximum impact — that’s Armin’s mastery, and he’s certainly one of the best to ever do it,” said David Rogier, CEO and Co-Founder of MasterClass.
      MasterClass is an online education company which provides classes from world-renowned instructors, making it possible for anyone to learn from the best. Each class offers a unique learning experience which includes video lessons from the instructor, interactive exercises, course materials, peer interaction, and more. All classes are available online for individual purchase at www.masterclass.com.
      The post MasterClass Announces Armin van Buuren to Teach Dance Music appeared first on Trance Hub.
      Source: Trance News
    • OzClubbers
      By OzClubbers
      Starting this Wednesday, December 6, Moogfest and Tom Tom Magazine present Always On, a 50-hour global livestream with continuous, hour-long live performances from female, transgender, and non-binary artists around the world. The livestream will be broadcast at http://AlwaysOn.Live starting at 12pm ET this Wednesday until 2pm ET this Friday.
      As described below by electronic music artist and activist Madame Gandhi, the livestream celebrates the abundance of female, transgender, and non-binary artists actively exploring the possibilities and frontiers hidden within electronic music, despite under representation in major music spaces.
      The Always On lineup will be released alongside Wednesday’s larger festival announcement. Until then, set an alert and prepare to explore the singular sonic worlds that these masterful creators occupy.
      The livestream will be available for free at http://AlwaysOn.Live. You can watch from anywhere beginning at 12pm ET on Wednesday December 6 until 2pm ET on Friday December 8.
      Moogfest takes place in Durham, N.C. May 17 – 20, 2018

      The post Moogfest Launches Global Livestream With All Female, Transgender artists Announced by Madame Gandhi appeared first on Trance Hub.
      Source: Trance News
    • OzClubbers
      By OzClubbers
      BE-AT.TV will premiere a brand new live series – Off/BEAT – 2pm CET on 7 December, taking viewers to Berlin’s iconic spy tower complex Teufelsberg with exclusive live performances from Mathew Jonson with Isis and Einmusik with Jonas Saalbach.
      Off/BEAT will showcase the music of innovative and celebrated electronic performers at spectacular locations around the world. This first episode sees multiple drone cameras encircling the famous Teufelsberg (Devil’s Mountain) spy tower, providing unique 360° views of two live performances.
      BE.At.TV BE.AT.TV Page
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      Source: Deep House Amsterdam
    • OzClubbers
      By OzClubbers
      Factory 93 has once again completely transformed a stereotypical Los Angeles venue into an underground oasis for music lovers in the heart of Hollywood. Saturday the quickly growing Insomniac brand specifically for House and Techno music aficionados took over the Hollywood Palladium, one of the oldest and most well known performances venues in Los Angeles. This venue, which opened in 1940, has featured artists like: the Tommy Dorsey band featuring Frank Sinatra, who performed the night the venue first opened its doors; iconic rock artists including The Who and Led Zeppelin; more recent pop artists like Justin Timberlake; and, this past weekend it played host to house music legends Solomun and his +1 Hot Since 82. Only a huge brand like Insomniac could pull an event like this off while also completely changing a well known concert venue into a living and breathing nightclub atmosphere where the social environment is as important as the music.
      From its forays at EDC to the collaboration with Exchange LA, a nightclub housed in the former stock market downtown, to the warehouse renovation in order to give Factory 93 a home in Los Angeles: the Insomniac brand has always understood the concept of the social requirements of electronic music. We go out to see certain artists and to dance, that is a givien; however, we go out to see and experience each other too. Initially I was slightly disappointed such a huge event as a Solomun+1 show would be happening at the Palladium, no matter how iconic it is. This venue is a concert venue and organized for fans to watch a show. Yes, dance music artists have played there before, but the set up does not encourage the interactive dancing and social atmosphere which a nightclub inherently has.
      However, upon walking in I immediately realized that for a Factory 93 event one will never get simply what they expect. The production team had completely reoriented the space and transformed the giant venue into a oblong nightclub. They built their own stage on the far left side rather than use the stage to the front of the entrance. It was fully equipped with lasers and led panels completed by a disco ball covering the crowd in prismatic glitter. They put in extra bars along where the stage normally sits which enhanced the nightclub atmosphere and reduced wait times to grab a drink. The entire venue was a bar and the entire bar was the dance floor.
      Hot Since 82 came on and enticed the crowd into a dance. However, the atmosphere created allowed for the chatting one can expect at the beginning of the night out in any city. As his set continued the white noise began to dissipate as his tone became a little deeper leading in perfectly to Solomun himself. The sets merged together seamlessly. I had not seen Solomun in action before and it was truly mesmerizing. The Factory 93 team had perfectly designed the visuals to enhance his music without being too distracting. The lasers hit at just the right moments and certain drops brought a flood of light allowing the smiles from across the room to be shared by all. Fans dancers waved brought a touch of a breeze to us all as we sweat together and danced the night away. They ended with a b2b set which tapered off every so slightly from the depth Solomun had brought us into and allowed us to make our way out and back into reality again.
      The only odd thing about the whole setup was that the VIP area was directly above the stage. People who had paid more money for a table or VIP access had no view of the DJs or stage itself. They did, however, have access to an exclusive bar and bathroom without a line. Also, there was no reason they couldn’t go downstairs and merge with the rest of the crowd. I can see how some people may have been put off; but, the venue was more of a nightclub than a concert venue. I think it may have forced more interaction than would have been the case on a normal night in Hollywood. Hollywood is a city where people love to feel exclusive. The show brought out an interesting mix of the Hollywood norm of bandage dresses and heels alongside bros wearing Factory 93 snapbacks and girls in glitter and combat boots. It was an amalgamation on Hollywood and the dance music community and Factory 93 created the perfect space for mixing without overemphasizing exclusivity. The change put everyone on more equal footing and the rearrangement made the dance floor large enough to accommodate a large crown without overcrowding.
      Solomun+1 was a huge success and I think perfectly highlights what Insomniac is seeking to do with the Factory 93 brand: bring together underground music lovers in safe spaces to share and experience music and culture. They never settle to simply use a venue the way it is but transform it to perfectly fit the artists and fans they bring into the space. It felt like I was in a new nightclub event though the Palladium has been around since the Golden Age of Hollywood. It shows Factory 93’s understanding of underground culture and I am excited for more collaborations with artists and venues to come in 2018.
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      Source: Deep House Amsterdam
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