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    • AdamMadd
      By AdamMadd
      Tee'd up with Miami dubstep lord Jupe to make an epic dance/trap infusion with the addition of vocals from Aussie artist Savoi Coming off the back of a huge set at Splendour In The Grass 2017, Enschway will be playing Australia's national Listen Out Festival this September, arguably one of Austalia's biggest  He will also be taking the EP on a solo tour throughout July, hitting all capital cities in Aus plus a special show for NZ fans in Auckland  EP also includes Australian club aficionado Perto and Aussie young-gun Leotrix  
      Sydney-based Nic Schweighoffer aka Enschway, has once again teamed up with his mates throughout the global dance community to create the third EP in his infamous series of Friendschway EPs. On board for the third installment is Miami producer Jupe, Aussie artist Perto and the up and coming DJ, Leotrix, coming together to create an insanely eclectic three track EP ranging from EDM festival-ready drops to heaving club bangers.
      On the lead single off the EP, Nic employs Miami producer Jupe and Australian singer/songwriter Savoi to construct ‘Make It Work’ an epic dance and trap infusion that would fit perfectly into any EDM headliners festival set. Aussie club aficionado Perto lends his production finesse on ‘Lose It’, a definite crowd favourite in all of Enschway’s recent shows, and newcomer Leotrix blends his fresh ears with Nic’s expertise for ‘Can’t Stay Here’ creating an insanely dark and intricate mix.

       
      On the collaborations, Nic explained, “For Friendschway 3 I wanted to keep it short and sweet. Two super heavy disgusting tracks and one calmer more emotional song. The EP has been in the works for so long I’m just so happy it’s finally so close to release. I think Lose It w/ Perto has been finished for almost 2 years and has been the most anticipated release of ours. I’ve spent the last few months really trying to hone in on bettering the quality in the production so I’m hoping it shines through with this latest release. Hope everyone enjoys it. ”
       
      After his absolutely huge set at 2017’s Splendour In The Grass and sold out headline show at Oxford Art Factory, Enschway has been hand-picked as one of the few locals announced for Australia’s nationalListen Out Festival this September. He will also be taking Friendschway Vol. 3 on a solo tour throughout July, hitting all capital cities in Australia including Sydney’s Metro Theatre, plus a special show for New Zealand fans in Auckland. With his previous EPs receiving over 4 million collective streams online plus a run of reviews from YourEDM, Run The Trap, inthemix, EDM Tunes, it’s not doubt that Friendschway Vol. 3 will push Nic further onto the global scale, where he has already roused interest from top guns,Diplo, RL Grime and What So Not.
       
      Friendschway Vol. 3 is out now via Sweat It Out.
      Listen here: 
      https://sweatitout.lnk.to/FriendschwayVol3Ne
        Tour Dates:
      Tickets available here: https://www.enschway.org/
       
       
    • Nordic-By-Nature
      By Nordic-By-Nature
      NEW YORK, NY (April 6, 2018) — Today, King Arthur releases his new single and official
      debut for Casablanca Records, “Laidback.” Get it HERE.
      “Laidback is the perfect record to begin expanding my Kingdom.” King Arthur talks about his
      new song, “It’s a fresh take on a classic sound, and the beginning of new sonic era for me, that I
      couldn’t be more excited about.  I’m particularly thrilled to have the cavalry at Casablanca
      Records leading the charge”   The acclaimed artist and producer once again elevates his royal and regal repertoire. Hinging
      on off-kilter sampling, propulsive percussion, and an irresistible refrain, the track welcomes
      listeners into the center of his court. There’s nothing on the dance floor quite like it!
      “Laidback” also heralds yet another evolution for King Arthur. Harking back to the seminal
      classics from Fatboy Slim and Moby that shaped his formative years, he updates a timeless
      sound for today’s generation on his forthcoming new EP—coming very soon.
      King Arthur’s quiet grind laid the foundation for a royal kingdom that’s unlike anything else in
      electronic dance music. Released on Don Diablo’s Hexagon, the 2016 full-length debut, Believe
      In The Kingdom, generated a staggering 20 million-plus streams on Spotify as his total cumulative streams surpassed 47 million. The Chainsmokers, Axwell & Ingrosso, Martin Garrix,
      and countless other heavy hitters have tapped the artist, producer, DJ, and remixer for high-
      profile remixes, while Kaskade, David Guetta, Tiësto, Afrojack and more regularly spin his music
      live. He teamed up with Bastille on a remix of “World Gone Mad” for the Official Soundtrack
      Album to NETFLIX’s hit Bright. He made history by performing at the first-ever dance music
      event in Pakistan and touched down everywhere from Tomorrowland Mainstage to the Storm
      Festival.   ABOUT CASABLANCA RECORDS
      Casablanca Records, the legendary label of the 70’s, defined the sound of its era. During the
      infamous days of Studio 54, Casablanca launched the careers of artists such as Kiss,
      Parliament, Donna Summer and Giorgio Moroder. Re-launched by Republic Records executive
      vice president Rob Stevenson, the label now focuses on Dance, Electronic, and Future Pop
      music. Working with a global roster of both established superstars and emerging new talent,
      Casablanca Records is home to Stromae, ALMA, Kungs, Martin Solveig, Tiësto, Felix Jaehn,
      SG Lewis, and Chase & Status.   ABOUT REPUBLIC RECORDS   A division of Universal Music Group, the world's leading music company, Republic Records is
      home to an all-star roster of multi-platinum, award-winning legends and superstar artists such
      as Ariana Grande, Aminé, Black Sabbath, DNCE, Florence + the Machine, Gotye, Hailee
      Steinfeld, James Blake, James Bay, John Mellencamp, Jordan Smith, Julia Michaels, Keith
      Richards, Kid Cudi, Liam Payne, Marian Hill, Of Monsters and Men, Post Malone, Seth
      MacFarlane, Stevie Wonder, and more. Founded by brothers and chief executives Monte and
      Avery Lipman, it is also comprised of innovative business ventures, including American
      Recordings (The Avett Brothers, Towkio), Boominati Worldwide (Metro Boomin), Brushfire (Jack
      Johnson), Casablanca Records (Giorgio Moroder, KUNGS, Tïesto), Cash Money (Drake, Lil
      Wayne, Nicki Minaj), Hollywood Records (Sofia Carson, Zendaya), Lava Records (Greta Van
      Fleet, Jessie J, Lorde), Monkeywrench (Pearl Jam), XO (The Weeknd), Roc Nation (Belly,
      Justine Skye, The Dream), Tuff Gong (Damian Marley), Victor Victor Records (D Savage, Ski
      Mask The Slump God), among others. Republic also maintains a long-standing strategic
      alliance with country powerhouse Big Machine Records (Taylor Swift), and Universal Music
      Latin Entertainment (Luis Fonsi, J Balvin). In addition, Republic has expanded to release high-
      profile soundtracks for Universal Pictures (Fifty Shades of Grey, SING), Fox TV (Lee Daniels'
      STAR), and NBC TV (The Voice), as well as other notable film and television franchises.
    • OzClubbers
      By OzClubbers
      Beatport has spent 2017 working to ensure that its genre categories correctly reflect the music displayed under them. The company has introduced four new categories over the course of the year and is closing out 2017 with a fifth: Afro house.
      The addition of this new genre reflects the organic instrumentation and African rhythms influencing the modern house music scene, pioneered by South African artists like Black Coffee and Culoe De Song.
      In a press release, Beatport chief product officer Terry Weerasinghe says the Afro house sound is “stronger than ever” on dance floors around the world.
      “We’ve focused this year on building the best possible store experience for DJs, which makes it the right time to add this thriving genre to Beatport,” Weerasinghe says. “In order to do it right, we’ve collaborated closely with the labels and artists at the forefront of the movement. Our dedicated team will curate the best Afro house tracks every week, and spotlight the artists you need to know about.”
      The Afro house page is live on Beatport now and can be found here.
      Read More:
      Anjunabeats and Beatport announce contest in search of young up-and-coming producer
      Beatport goes back to bass with three new bass genres launched
      The Beatport Top 10 has regained its credibility [Editorial]
      Source: Dancing Astonaut
    • OzClubbers
      By OzClubbers
      It’s no secret Kaytranada is an impressive producer.
      Since the release of his debut album 99.9% in May of 2016, he’s remixed Gorillaz and collaborated with artists as diverse as BADBADNOTGOOD and Azealia Banks. A lesser-known attribute of his career, though, is his expansive list of production credits. Luckily, Spotify user “hunterhhh” has compiled a complete playlist of the artist’s productions.
      In the 93-track playlist, standing at near six hours of playtime, resides Kaytranada’s complete collection of 99.9% tunes, plus an impressive array of productions from the artist.
      Productions for GoldLink, Nick Murphy, Kendrick Lamar, Chance the Rapper, and Anderson Paak date back to 2014, with his production outside production credits themselves dating back to 2012.
      If Kaytranda continues on this prolific trajectory, it’s certain we’ll see more additions to this list shortly.

      Photo Credit: Carys Huws
      H/T: Stoney Roads
      Read More:
      Kaytranada surprises fans with the release of three brand new tunes
      Kaytranada drops delightfully funky remix of Gorillaz’s ‘Strobelight’
      Kaytranada and Buddy star in new ‘World of Wonders’ video
       
      Source: Dancing Astonaut
    • OzClubbers
      By OzClubbers
      Spotify’s Discover Weekly playlist could soon account for user preference.
      Discover Weekly relies on an algorithm to compile a list of songs that would likely appeal to the listener, given the Spotify user’s listening history. The playlist refreshes each Monday, routinely offering new recommendations for streamers.
      The playlist’s weekly renewal is favorable for the Spotify users that find their Discover Weekly collection to be irreflective of their tastes, but if Spotify moves ahead with its latest trial feature, listeners will be able to have more input in the formation of their Discover Weekly playlist. Spotify is accordingly testing a like/dislike feature to be used in conjunction with Discover Weekly. The like/dislike function is comparable to that of Spotify’s Daily Mix, which allows users to up-vote or down-vote a track, effectively reshaping the algorithm used to create the mix via vote. To like a song, Spotify users need only to click the heart button representative of “like.” To dislike a track, users can click the blocked sign button, indicating that one does not like the tune.
      The like/dislike button for the Discover Weekly playlist currently appears to be randomly distributed among Spotify accounts, as some patrons of the streaming service have reported that they do not in fact have the ability to like or dislike songs from the weekly compilation. Spotify has not announced when the feature will become uniformly applied across Spotify accounts.
      H/T: Mashable
      Read More:
      Spotify submits $43.4-million-dollar settlement in class action lawsuit
      Spotify acquires cloud based collaborative DAW
      New Spotify data shows sharp increase in listening time, artist diversity
      Source: Dancing Astonaut
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