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Pasty-loving students managed to throw a rave in their local Greggs
We source our news and reviews from a number of sources. From our local volunteer contributors (writers and reviewers) around Australia, to syndicated news sources including Your EDM, Dancing Astronaut, MixMag, By The Wavs, MNML, No Dough Music, Techno Kittens, Drum and Bass News, BBC, Junkee, and Trance Family. Where the article has been sourced via syndication, you will find a link at the bottom of the article to the original source.
Our local volunteer contributors are creative people who are passionate about the dance music and club scene in Australia and want to share their passion with others. If you feel you fit into this category, we would love to hear from you! Send us an application to become a contributor (writer / reviewer) by visiting https://ozclubbers.com.au/application
By Adam Madd
Sydney’s global dance export, Go Freek, have just produced their catchiest tune to date. ‘Love Is The Weapon’, steps in an exciting new direction for the electronic heavyweights as they blend their signature offensive bass lines and tech-house percussion with a truly addictive topline. After spending quite some time in the U.S. smashing stages at the likes of EDC and Nocturnal Wonderland and playing European boat parties with artists such Detlef and Latmun, they’ve finally managed to find some time between drinks to get in the studio and deliver this sure hit, out today on Sweat It Out.
"When you work on something long enough you become emotionally attached and your art becomes a part of you. In the case of ‘Love Is The Weapon’, it was in the works for over 8 months. It grew from an idea that was almost thrown away, and has now become our most unique and exciting record to date. I remember having a moment of hysterical laughter and tears when we wrapped up the final mixdown. My mum complained that after first listen she had an earworm for days to follow. We are so proud of this record." Go Freek.
And proud as punch they should be after the career successes these boys have achieved over the years. With multiple ARIA Club Chart Top 10s, including their record breaking #1 collaboration with Dom Dolla on ‘Define’ and #2 on ‘Call Out’ and ‘Put It Down’ in 2016 and 2017 respectively. It comes as no surprise then that Go Freek have been given the nod of approval from some of the biggest names in dance, including Claude VonStroke, Camelphat, A-Trak, Don Diablo, Anna Lunoe, Claptone and most recently support from arguably the most popular DJ of 2018, FISHER, on their previous single, ‘Time’.
With a 12 date national tour around the corner, there is no doubt ‘Love Is The Weapon’ will earworm it’s way into every aspect of your life. Be sure to send this one to your mum.
‘Love Is The Weapon’ is out now via Sweat It Out.
By Adam Madd
Rave Radio are back with their new single, Morning Light - a summer House anthem, featuring vocals from MANBN. The Australian DJ duo combine live performance elements with high-octane EDM sets. They are kings of the viral Facebook video, raking in 19 million plays with their top Facebook video, and they’re now establishing themselves as fully fledged artists.
Rave Radio’s previous single Carry You is on MTV’s daily rotation and peaked at #6 on the Aria Club Chart. Prior to that success, their single Turn Me Out racked up over 3.5m plays on Spotify. It’s clear these guys aren’t messing around! As we look to the future, Rave Radio will continue to dominate stages with the delivery of their incredible live experiences. Meanwhile, fresh material will build momentum on the key streaming platforms and radio-waves – the future is looking bright!
Rave Radio layer MANBN’s glorious top line over luscious guitar picking, as the tight percussion builds into a euphoric chorus of funky bass, vocal chops and groovy drums. Morning Light channels the warmth of an uplifting, pacific sunrise. It successfully cements Rave Radio’s position at the fore-front of popular dance music, and does so with pristine execution – the final product is a gem soaked in irresistible flare!
Links available here:
An overcast Saturday afternoon in Brisbane’s West End set the scene for a huge collaboration by Junkyard Sessions, Rewind and Rukus as they joined forces to present us with the massive outdoor SpectraSoul (UK) Drum N Bass Day Rave.
The Boundary Hotel provided a sweet layout with a good sized dance floor adjacent to the bar, a choice of two separate pool rooms, a decent chill zone and a smoking area from which you could still see and hear the Dj’s. The high ceilings and palm trees gave the event the outdoor feel and was perfect as rain threatened throughout the afternoon.
As I arrived around 4pm the first thing that struck me was the crowd. This was my first DNB event and the punters were reminiscent of a doof crowd. I was greeted by a sea of dreadlocks, snapbacks and the smell of sweat and essential oils all at once. The vibe was already huge with the dancefloor almost full as De La Haye and Kosha B played a back to back warm up set.
De La Haye and Kosha D run the local DNB night Junkyard Sessions, which happens on the second Saturday of each month, and has been gracing the Brissie scene since 2009, with both also running their own events since the early 2000’s. To say that this event was something special for the Brisbane DNB scene would be an understatement as going on 250 people packed the venue.
Headliner SpectraSoul played a truly memorable liquid set to a crowd full of smiles. What a vibe! The set was the mixture of DNB and electronic that I’d been told to expect of SpectraSoul and was the perfect way to ease into my first Drum and Bass experience. The track that absolutely sealed the deal and stole a lil’ piece of my techno heart? A remix of “Say What” by SpectraSoul and How We Live. This track had that emotive crowd winning female vocal and then broke down into calm and melodic DnB that I couldn’t stop listening to for days after the event.
To close the party Mikmac and Speechless stepped up and almost immediately the energy and pace increased. Heavy rollers, Classic bangers, Neurofunk and Jump up were the weapons of choice. It was the kind of high-energy set that literally had people dancing on the stage, calling for rewinds, and chanting "one more song" as the event came to a close. It's clear that this was the REWIND crew in action and that’s where they got their name from.
All up it was a good venue, amazing tunes and one of the nicest vibes I’ve seen in the Brisbane scene. This event won’t be forgotten anytime soon by myself or any of the hundreds of dedicated DNB ravers that attended. A truly epic offering by Junkyard Sessions, Rewind and Rukus. For anyone new to Drum and Bass or yet to experience this genre in Brisbane, I urge you to check out their future offerings as soon as you can.
Photo Credit: Russell King
In the lead up to their Australian tour and the release of their new album, Cut The Strings, Ozclubbers' @GALLEON chats with Booka Shade about their music, the album, and just life in general!
We warmly welcome you both Arno & Walter back to Australia for your run of dates in March. You have frequented our shores regularly in the last 10 years. What is it that keeps bringing you back down under?
Ever since we first came in 2007, we have found an enthusiastic and loyal fanbase who not only cherishes the classic tracks, but also embraces more recent songs such as LOVE INC .
We played some of the biggest festivals such as big day out, future fest etc, but also enjoy the headline club shows, like Melbourne last weekend and the ones coming up in Brisbane, Auckland and Adelaide (during fringe festival) .
As the new album is only coming out in a couple of weeks, we play a lot of unreleased album songs in Australia, and it´s great to see the reaction of the crowd.
Your previous live shows have never disappointed and always left the listener wanting more. Can you let us in on a few secrets as to what we might experience this time around?
I guess it´s not really a secret when I say that we simply LOVE performing on a stage. that´s what we are really good at (together with producing music I hope) .
And on this tour, also because the sound of the album is more ´back to the club´, our setup is very condensed , we have all channels for synthesizers, effects, drums under control on stage, we can react quickly and can interact more spontaneously , which gives the set great energy .
With your last album Galvany Street, you took a different approach to your previous albums, which included the use of more hardware and featured various collaborations. Does Cut The Strings have any similarities to Galvany Street or have you gone back to a predominantly club approach?
After our 2013 album EVE we had the feeling that we had said everything in terms of bass lines and riffs. we had the feeling we would only repeat ourselves if we continued in our ´usual´ way, and as artists, we definitely always want to progress, evolve, not repeat.
Which sounds risky, because we have a career we could perhaps simply continue for years and years.
But that would be too easy …. :-)
So on GALVANY STREET, we made an unusual step and produced an album outside of the techno box, no techno 4/4 beats , no ´booka synth riffs´ , a lot of vocals, even pop song writing.
Most of the vocal tracks are together with Craig Walker, former member of the UK band ARCHIVE. btw he´s got a new project coming up called THEM THERE.
We also collaborated with Fritz Hilpert from KRAFTWERK on a Dolby atmos mix of the entire album which was released as Blu-ray disc and is part of the Box Set we released.
We needed this time out to recharge our club batteries and indeed, we found new inspiration for club music !
And now, with this new enthusiasm for the club, comes CUT THE STRINGS .
After the galvany street the only guideline we had was that we wanna go back to more clubbier music and that we don‘t wanna work so crazy long on tracks as we did in the past.it should be more spontaneous and open minded.
You have worked with Troels Abrahamsen (vocalist on Kolsch 'All That Matters') on your latest single and title track, Cut The Strings. How did you get to know Troels?
We actually contacted him years ago, shortly after ´all that matters´, and recorded a first version of what would later become CUT THE STRINGS.
But then the GALVANY STREET project came in between and we put the song aside for a while, and picked up work in the autumn of last year.
One of the novelties of the album CUT THE STRINGS is that we worked much more spontaneous and finished the production process quicker.
On previous albums we easily worked for 2, even 3 years on an album. Again, that´s something we wanted to change in 2018.
With your latest live show, do you individually have specific functions within the show or do you collaborate on all aspects?
The work spaces are clearly defined since we first started: Walter plays keyboards, vocoder, sequences, Arno plays the drums and whenever we play longer sets, he does a DJ part in the middle of the set.
When writing Cut The Strings, did you find any tried and tested production techniques useful?
We used some instruments that we didn‘t use for a long time , for example an old EMS vocoder which we bought from Ian Stanley a former member of the 80‘s group tears for fears.
You can hear it on tyrell and of course EMS love.this little box has a very special sound.
How much do you find your methods of producing music evolve with the vast amount of software and plugins available?
Even if it is so easy nowadays to do a good sound with all the plug inns which are out there ,we‘re always looking for new sounds with a character which can help to improve the trademark sound of Booka Shade.
Not easy but it‘s worth it.
It‘s all about challenging yourself and not be stuck in a formula.
How do you both remain resilient and at the top of your game while touring given the long hours and continual amount of work needing to be done to make your performances so memorable?
We have a pretty good time management, considering we both have families and a lot of obligations aside of music. also, we live a rather healthy lifestyle lately, and it´s incredible how much you can get done in a day and how much more energy you can have even with little sleep.
Looking into your back catalogue, you both have an extensive history as producers under various aliases and in several groups stretching back to the better part of 30 years. Would you ever consider reviving any of the older projects you both worked on together (for example Superstring)?
Ha ha, you´re digging deep …… well not everything was gold , but having said that, most of the rights from the 90´s should have long fallen back to us, so you never know…. go listen to old demos and releases every now and then and then look for sounds and sequences on old hard drives. you can imagine, there are dozens of old computers and hard drives ...
In the last few years you have set up Blaufield Music. Tell us a little about your label and its functions.
We had founded the label Get Physical together with our friends M.A.N.D.Y. , DJ T. and Peter Hayo in the early 2000´s and left in 2008, so we needed a new outlet for our music. and every now and then we release songs from friends of ours, for example fellow berliner CHI THANH, who has produced a magnificent remix for Body Language btw).
Could be that after the summer we´ll release a project of friends of ours from Melbourne.
Within the music industry, you as individuals and collectively as Booka Shade are known for having a great reputation and being highly professional while always remaining humble. Are these qualities you would recommend any DJ, producer or musician should withhold in order to maintain longevity in the scene?
Absolutely. most people who have been successful over a longer period of time (not just two summers) are very professional, work hard and stay grounded.
Who would you say has inspired you the most musically over the last 30 years?
Depeche mode, The Cure, New Order, Sven Vath
Do you have any tips as to who is about to blow up in the next couple of years?
ARTBAT from Ukraine are having a good run atm, look out for them.
Finally, feel free to tell us a fun fact that we wouldn't know about Booka Shade.
We love gardening in our free time.
Album Pre-order: https://sweatitout.lnk.to/CutTheStrings
Booka Shade – Australian Tour Dates
Friday 9th March: Pitch Music & Arts Festival, Mafeking Victoria
Saturday 10th March: Days Like This, Victoria Park, Sydney
Sunday 11th March: Prince Bandroom, Melbourne
Friday 16th March: The Met, Brisbane
Saturday 17th March: Powerstation, Auckland NZ
Sunday 18th March: Royal Croquet Club, Adelaide Fringe Festival
Australia’s favourite LIVE duo MASHD N KUTCHER Release NEW Video for their hit new single: ‘Need Me’By Adam Madd
TITLE: NEED ME (FEAT SAMMI CONSTANTINE)
ARTIST: MASHD N KUTCHER
LABEL: CASABLANCA RECORDS AUSTRALIA
WATCH VIDEO: http://bit.ly/2CuWHIi
‘Mashd N Kutcher’ have kicked off the year with the release of their brand new single ‘Need Me’ (feat. Sammi Constantine). With its infectious chorus and summer laden beat, ‘Need Me’ pays homage to The Cardigans’ international hit ‘Lovefool,’ a “song that stuck with us as kids growing up,” says the duo. The NEW video has just dropped & meshes Art, Dance & Music.
The boys play ‘Road to Ultra’ this Saturday in Melbourne – the First time the Mega brand ‘Ultra Music Festival’ hits Australia!!
#1 LIVE Electronic DJ Duo in Australia Writing & Performing Pop / Electronic / Dance Records for 6 years 2x Gold Certified Records in 18 Months: ‘Do It Now’ & ‘My Sunshine’ ‘Do It Now’ Top 10 Track on iTunes, #1 Shazam Chart, reached over 3 million+ streams and added to every major commercial radio station across the country ‘My Sunshine’ Top 5 on iTunes - #1 Most Played track on Australian Radio and reached #5 on iTunes In 2017 the duo completed a 5-month World Tour including: Asia, North America, Europe and Australia Mashd N Kutcher on Socials: 250 million video views in all, 1.2 million followers Facebook, 65,000 Instagrammers, 100,000 viewers on Snapchat and over 350,000 YouTube subscribers Mashd N Kutcher join AFROJACK, AXWELL /\ INGROSSO, KSHMR and more at ROAD TO ULTRA AUSTRALIA next month
The fresh pop track ‘Need Me’ is destined to be one of the early hits of 2018, which is not unfamiliar for the Brisbane grown classically trained pianist and drummer aka ‘Mashd N Kutcher.’ While their live-shows keep the dance floors jam-packed, their two Gold Records: ‘Do It Now’ and ‘My Sunshine’ have achieved chart-topping radio activity and video streams. ‘My Sunshine’ was a #1 Most Played track on Australian Radio and reached #5 on iTunes while ‘Do It Now’ has now reached over 3 million streams to date and was added to every major commercial radio station across the country.
Mashd N Kutcher have progressed from local DJs, to one of the most prominent electronic acts to grace the music scene in recent years. 2017 saw the pair complete a 5-month World Tour taking them across Asia, North America, Europe and Australia. With an ever-growing list of successes including being voted Australia’s #1 DJ duo (inthemix 2015), producing multiple Gold selling records, achieving viral video success for their infamous ‘mashups,’ making waves across the globe with their exhilarating live-electronic performances, MNK have one of Australia’s biggest social reaches online in music. With a growing 250 million video views in all, 1.2 million followers on Facebook, 65,000 Instagrammers, a whopping 100,000 viewers on Snapchat and over 350,000 YouTube subscribers, there is no slowing down for these two.
Mashd N Kutcher join AFROJACK, AXWELL /\ INGROSSO, KSHMR and more at ROAD TO ULTRA AUSTRALIA next month.
MASHD N KUTCHER LIVE SHOWS:
FRI 23rd FEB – PlayGround, WAGGA WAGGA
SAT 24th FEB – ROAD TO ULTRA AUSTRALIA – Sidney Myer Music Bowl, MELBOURNE
TUE 27th FEB – Club Co Crown, MELBOURNE
SAT 10th MAR – Platinum, BROADBEACH
SAT 17th MAR – Cartel Nightclub, MACKAY
SAT 24th MAR – Flinders HQ, TOWNSVILLE
THU 29th MAR – Carmen’s Nightclub, MIRANDA
SAT 31st MAR – Gilligan’s Nightclub, CAIRNS