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  • We source our news and reviews from a number of sources.  From our local volunteer contributors (writers and reviewers) around Australia, to syndicated news sources including Your EDM, Dancing Astronaut, MixMag, By The Wavs, MNML, No Dough Music, Techno Kittens, Drum and Bass News, BBC, Junkee, and Trance Family.  Where the article has been sourced via syndication, you will find a link at the bottom of the article to the original source.

    Our local volunteer contributors are creative people who are passionate about the dance music and club scene in Australia and want to share their passion with others.  If you feel you fit into this category, we would love to hear from you!  Send us an application to become a contributor (writer / reviewer) by visiting https://ozclubbers.com.au/application

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    • Adam Madd
      By Adam Madd
      Hardwell is the seasoned-veteran DJ/producer that’s behind Spinnin’s mammoth new tune. Boasting multiple international new music Friday playlists already, How You Love Me is a pop infused single that features the hugely respected artists, Conor Maynard and Snoop Dogg.
       
      As one of the leading pioneers in the world of electronic music, Hardwell runs his award-winning label as well as directing award-winning documentaries. All whilst tending to a cool 9 million on Facebook (and rising). Hardwell’s impressive plethora of work includes collaborations with Craig David, Jason Derulo and Austine Mahone. Having filled numerous headline slots at the biggest world-wide events, Hardwell has graced the stages of Ultra Music Festival, Coachella, Tomorrowland, Lollapalooza among others. Recently expanding his extensive reach with unique projects such as a live orchestra show at this year’s Amsterdam Dance Event. In addition, his Indian United We Are and Guestlist4good charity shows saw remarkable attendance. A hundred thousand people joined in order to aid children educationally within the Magic Bus program.
       
      Pop sensation Conor Maynard is an artist who also boasts many strings to his bow. As the man behind vast Spotify streams, Conor’s incessantly up beat personality and determination has seen him gain the role of Charlie Price in the Tony award winning musical Kinky Boots, chart in over 25 countries, and reach an incredible 118m streams with another Spinnin release, Whenever. 
       
      Continuously pushing boundaries, Hardwell has delivered a smooth slice of tropical pop. Kicking off with the iconic voice of Snoop Dogg, Conor Maynard follows with a heavy dose of pop flavour with the subtle addition of shy Conor styled sexiness. How You Love Me is a sunny exploration from three monster’s in the music industry, flexing their musical muscles to provide us with a champagne filled celebration with the swagger of smug love.
       
      Hardwell – How You Love Me (feat. Snoop Dogg & Conor Maynard) is out now.
       
      LISTEN:
       

      BUY:
      http://bit.ly/HWLHYLM
       
    • Adam Madd
      By Adam Madd
      Following on from highly praised single Faith alongside Stace Cadet and Yeah Boy, Benson gets set to release the ultimate Faith remix package. Enlisting fellow comrades Motez, Kyle Watson and Holmes John to flaunt their rework skills on the single, check out the Faith (Remixes) via Medium Rare Recordings. 
       
      Motez is the first of the three revered producers to work their magic on the heavenly original. With deep pulsing drum lines and euphoric rhythms, Motez takes Faith to wondrously sacred heights. Meanwhile, Kyle Watson delivers not only a earth shattering remix but a glorious dub of the miraculous single. Elsewhere, we witness high riser Holmes John step up to demonstrate his skills on the majestic remix package, ascending dancefloors to darker dimensions of biblical proportion.
       
      Having already had an exceptional year, Benson’s career continues to skyrocket. The Australian producer has accumulated millions of streams with the likes of originals including Hold Out and a remix of Stace Cadet’s High. Not stopping there, Benson is also dominating our airwaves with national airplay whilst securing an in demand residency slot with triple J. Gig-wise, Benson impressively launched a sold-out headline tour. Clearly demonstrating himself as an artist of prominence, we can’t wait to see where Benson takes us next on his musical journey. 
       
      Meanwhile, fellow friend and producer Motez continues to push the boundaries of your regular house producer that goes unrivalled. His tantalising skills within the booth and studio have landed him remix opportunities for the likes of Disclosure, Sam Smith and Ellie Goulding whilst releasing a slew of hefty originals including The Future which garnered support from BBC Radio 1 and triple J as well as amassing over 12 million streams. Also demonstrating flawless remix artistry, Kyle Watson has crafted an impressively unique style that has secured him remixes with the likes of Rudimental, ZHU, Oliver Heldens and more, whilst rising artist Holmes John continues to rise above the ranks with his stand out production capabilities.
       
      Benson ft. Stace Cadet & Yeah Boy – Faith (Remixes) are out now via Medium Rare Recordings!
       
      LISTEN:
       
       
      BUY:
      https://mrr.lnk.to/FaithRMX
       
    • NathanJones
      By NathanJones
      In a few weeks at Elrow, Australia will be graced once again with the appearance of one of the world’s most astute and creative DJs; as well as being a long-serving servant of the industry, John Digweed. This year, his and studio partner, Nick Muir’s label, Bedrock celebrated its twentieth year of releases, John was also voted at number 35 in this week’s DJ Magazine Top 100 Alternative DJs (non-EDM), powered by Beatport’s findings over the past few years. He is one of dance music’s more celebrated and influential DJs and this week he found the time for a quick Q and A with Ozclubbers’ reporters Nathan Jones and Jamie Drew.
       
      John, thanks for answering our questions and speaking with Nathan and Jamie from ozclubbers.com.au
        
      N: Of course, Bedrock – yours and your studio comrade Nick Muir’s label – reached its own milestone this year and a big birthday, turning 20 years of releases. For anyone considering starting their own record label in 2018 or onwards – is there any advice you could give, or pointers for releasing your own tracks today?
      JD: It’s not an easy world in the music industry - so always prepare yourself for setbacks and disappointments and take every element of success as a stepping stone to build your label’s profile, always try and release music you love and are passionate about as you will find you will work harder to make them succeed.

       
       
      J: Pete Tong is celebrating 25 years of Essential Mix on BBC Radio 1 having begun in 1993 of which you have featured on it many times. With your radio show "Transitions" reaching 13 years next year do you hope you will reach the 25-year milestone as well?
      JD: I try and take each year as it comes as I am incredibly happy with the success of the show, but I am not looking at certain years to celebrate to be honest.
       

       
      J: Speaking of 25-year celebrations, the relationship between you and Sasha is enduring and actually began in 1993. It is one of the longest DJing relationships in the scene with a loyal fan base that is spread over generations. The fresh progressive sounds you both present to the punters keeps pushing the boundaries and is testament to your dedication and longevity in the scene. Is there any chance of another "Northern Exposure" release or any studio collaboration for that matter between you both?
      JD: Never say never, but we are both so busy with our solo projects - I can’t see anything happening anytime soon.
       
       
       
      N: Thinking about the future of electronic music, nightclubs and festivals, do you think that in years to come, we can look forward to plenty of events and a healthy following of dance music and clubbing? If so, where in the world are the important places to influence electronic music?
      JD: The beauty of electronic music is that it constantly changes and evolves with new sounds, DJs and artists coming through all the time, along with new promoters providing their vision on how they would like to create a party. I think with the Internet there is no main important place of influence, it’s down to the organisers and the crowd to be in sync and create those memorable nights that you never forget.

       
       
      J: Going back to the era when you played tunes on vinyl at clubs, I am sure you do not miss carting crates of records around - but do you miss the hands on feel and sound that vinyl produced when playing at big club nights? I know that Technics turntables were the industry standard at the time and am wondering (to decide a personal DJ disagreement!) if you spent much time playing on Vestax turntables and which turntable you preferred. Vestax or Technics? 
      JD: Always Technics 
       
       
       
      N: With another holiday season forthcoming, you’ll be playing New Year’s Eve at Output in Brooklyn (where one of your Live In… series was recorded), is there a plan for another multi-CD recording from there (or anywhere else)?
      JD: There are no plans in the pipeline for the next “Live in” Album as I never ever plan them it’s always been chosen after I have played.
       
      John, thanks again for answering our questions - we hope you enjoy your time in Australia and wish you a happy new year.
       
       
      Elrow is touring Australia at the end of December.  Read more about it here:
       
       
      Tickets are still available for each city. 
       
       
      Melbourne: https://www.facebook.com/events/1521588627942714/?ti=as  
      Sydney: https://www.facebook.com/events/549753348790649/?ti=as
       
       
    • Adam Madd
      By Adam Madd
      The ultimate New Year’s Day Disco, combined with laid-back Byron Bay vibes & lake views, is back for 2019!
       
      Grab the squad, come down to the green, join the Greenfields team and the Brunch Affairs crews and see out the first day of 2019 off with a bang! If you like your music funky, then come and check out the House Master’s in the mix: DJ Spen // Dr Packer // BOOGS + more!
       
      Sunset Safari New Year’s Day 2019 - Greenfields Albert Park, Melbourne
      When: Tuesday 1st January (NYD)
      Time: 1pm – 1am
      Where: Greenfields, Albert Park – Corner Lakeside Drive & Queens Road, Albert Park
       
       
      Tickets:
      Facebook Event: https://www.facebook.com/events/269052340624628/
      Eventbrite Tickets: https://www.eventbrite.com.au/e/new-years-day-at-greenfields-albert-park-sunset-safari-tickets-52515211411
       
      Line-Up:
      DJ SPEN (Quantize Recordings)
      Dr Packer (Glitterbox | Defected)
      BOOGS (Thick As Thieves)
      Simon Digby
      Brad Sassman
      Mark John
      Agent 86
      Greg Sara
      Rob Anthony
      Jay Ramon
      HOOPS
      Lana
      Casey Leaver
      Pete Tran
      Sean Marchetti ( LIVE )
      + more
      Also, a limited amount of Booths will be available on the day for $2500 which includes: 10x Tickets & 1L Belvedere vodka. Contact: hello@greenfieldsalbertpark.com.au for more details
       
      DJ SPEN:
      US house icon DJ Spen first laid his hand on the decks at the age of thirteen while growing up in his native city of Baltimore - he hasn’t looked back since.
      Also known as Sean Spencer, the talented DJ and producer began his illustrious career in the mid-’80s as a hip-hop radio DJ making beats under the moniker Numarx, responsible for writing and recording 'Girl You Know It’s True,' later covered and made into a smash hit by Milli Vanilli. The years that followed saw DJ Spen move away from hip-hop and towards the classic Chicago house sound that would define his productions for years to come, after joining forces with famed production collective The Basement Boys. Working under the name Jasper Street Co., DJ Spen released his first 12″ through Basement Boys Records in 1995, the energetic gospel house cut ‘A Feeling.’ This was the first in a lauded series of releases for the label that brought Spen commercial and dancefloor success over the next decade, earning him international recognition as a house music pioneer.  In 2004, DJ Spen split from Basement Boys, releasing through Black Vinyl Records and his own label Code Red before founding his second imprint Quantize Recordings, which has since become a regular outlet for his music. Alongside his own productions, DJ Spen has built a reputation as a talented and prolific remix artist, putting his own unique stamp on pop anthems from Diana Ross, Michael Jackson, Everything but the Girl, Toni Braxton and more. If that isn’t enough, he’s still spinning eclectic and soulful jams in clubs across the globe, further establishing his status as an eminent figure in house music, both past and present.
       

      DR PACKER:
      Dr Packer is an alias of West Australian DJ/Producer Greg Packer, set up for Remixes & Edits of mainly retro music such as 70’s, 80’s, 90’s Soul, Disco, Funk, Hip Hop & Reggae. Greg although known more for ‘Liquid Drum & Bass’ regularly plays sets of ‘Old School Funk, Disco & Hip Hop. Greg purchased his first record in 1982 at the age of 10. That record was ‘Grandmaster Flash – The Message’! Greg grew up in Northampton in the UK, frequently listening to his mother’s disco records (to which he says he had no choice!). In the 70’s it wasn’t uncommon to hear music such as ‘Ain’t No Stoppin’ Us Now’ or ‘And The Beat Goes On’ played in the house, so the disco thing really was his first introduction to music, records became his life and he has collected 25,000+ over the years.  Dr Packer has quickly become a mainstay in the sets of some of the biggest names in the disco world with the likes of Greg Wilson, Hot Toddy, Fingerman, Joey Negro and Norman Jay regularly featuring his edits in their performances. All of this support helped Dr Packer to be voted #1 in the Traxsource Top 20 Nu Disco Artists midway through 2015. At the end of the year Dr Packer came in at #4 in the Top 100 Disco Artists
       
       
       
       
       
       
       
       
      BOOGS:
      Boogs is one of the true leaders of Melbourne’s underground club scene. Supremely talented, original and never reliant on trends, fads or visiting international DJs, his 7am residency at Revolver Sundays is one of the most celebrated, unique and infamous gigs in town. His three-hour sets attract a vibrant, loyal and seriously up-for-it crowd each and every week.  Combining his incredible technical skills with an ear for the best new music, Boogs has consistently maintained a standard in excellence that sets him apart as a truly gifted DJ, inspiring both young and old generations alike.  Always visionary and ahead of the pack with the freshest sounds, his reign over the Melbourne club scene spans almost 15 years and his influence stretches across Australia and beyond. The hugely popular Boogs’ Podcast is helping to develop a whole new legion of fans as more and more people discover his music online. As Boogs continues to inspire and entertain, the talent and vision that cemented his place at the top of Melbourne club culture is now more prominent than ever.
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