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Terminal 7 is the new Paris club that looks like it's from the future
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In the lead up to their Australian tour and the release of their new album, Cut The Strings, Ozclubbers' @GALLEON chats with Booka Shade about their music, the album, and just life in general!
We warmly welcome you both Arno & Walter back to Australia for your run of dates in March. You have frequented our shores regularly in the last 10 years. What is it that keeps bringing you back down under?
Ever since we first came in 2007, we have found an enthusiastic and loyal fanbase who not only cherishes the classic tracks, but also embraces more recent songs such as LOVE INC .
We played some of the biggest festivals such as big day out, future fest etc, but also enjoy the headline club shows, like Melbourne last weekend and the ones coming up in Brisbane, Auckland and Adelaide (during fringe festival) .
As the new album is only coming out in a couple of weeks, we play a lot of unreleased album songs in Australia, and it´s great to see the reaction of the crowd.
Your previous live shows have never disappointed and always left the listener wanting more. Can you let us in on a few secrets as to what we might experience this time around?
I guess it´s not really a secret when I say that we simply LOVE performing on a stage. that´s what we are really good at (together with producing music I hope) .
And on this tour, also because the sound of the album is more ´back to the club´, our setup is very condensed , we have all channels for synthesizers, effects, drums under control on stage, we can react quickly and can interact more spontaneously , which gives the set great energy .
With your last album Galvany Street, you took a different approach to your previous albums, which included the use of more hardware and featured various collaborations. Does Cut The Strings have any similarities to Galvany Street or have you gone back to a predominantly club approach?
After our 2013 album EVE we had the feeling that we had said everything in terms of bass lines and riffs. we had the feeling we would only repeat ourselves if we continued in our ´usual´ way, and as artists, we definitely always want to progress, evolve, not repeat.
Which sounds risky, because we have a career we could perhaps simply continue for years and years.
But that would be too easy …. :-)
So on GALVANY STREET, we made an unusual step and produced an album outside of the techno box, no techno 4/4 beats , no ´booka synth riffs´ , a lot of vocals, even pop song writing.
Most of the vocal tracks are together with Craig Walker, former member of the UK band ARCHIVE. btw he´s got a new project coming up called THEM THERE.
We also collaborated with Fritz Hilpert from KRAFTWERK on a Dolby atmos mix of the entire album which was released as Blu-ray disc and is part of the Box Set we released.
We needed this time out to recharge our club batteries and indeed, we found new inspiration for club music !
And now, with this new enthusiasm for the club, comes CUT THE STRINGS .
After the galvany street the only guideline we had was that we wanna go back to more clubbier music and that we don‘t wanna work so crazy long on tracks as we did in the past.it should be more spontaneous and open minded.
You have worked with Troels Abrahamsen (vocalist on Kolsch 'All That Matters') on your latest single and title track, Cut The Strings. How did you get to know Troels?
We actually contacted him years ago, shortly after ´all that matters´, and recorded a first version of what would later become CUT THE STRINGS.
But then the GALVANY STREET project came in between and we put the song aside for a while, and picked up work in the autumn of last year.
One of the novelties of the album CUT THE STRINGS is that we worked much more spontaneous and finished the production process quicker.
On previous albums we easily worked for 2, even 3 years on an album. Again, that´s something we wanted to change in 2018.
With your latest live show, do you individually have specific functions within the show or do you collaborate on all aspects?
The work spaces are clearly defined since we first started: Walter plays keyboards, vocoder, sequences, Arno plays the drums and whenever we play longer sets, he does a DJ part in the middle of the set.
When writing Cut The Strings, did you find any tried and tested production techniques useful?
We used some instruments that we didn‘t use for a long time , for example an old EMS vocoder which we bought from Ian Stanley a former member of the 80‘s group tears for fears.
You can hear it on tyrell and of course EMS love.this little box has a very special sound.
How much do you find your methods of producing music evolve with the vast amount of software and plugins available?
Even if it is so easy nowadays to do a good sound with all the plug inns which are out there ,we‘re always looking for new sounds with a character which can help to improve the trademark sound of Booka Shade.
Not easy but it‘s worth it.
It‘s all about challenging yourself and not be stuck in a formula.
How do you both remain resilient and at the top of your game while touring given the long hours and continual amount of work needing to be done to make your performances so memorable?
We have a pretty good time management, considering we both have families and a lot of obligations aside of music. also, we live a rather healthy lifestyle lately, and it´s incredible how much you can get done in a day and how much more energy you can have even with little sleep.
Looking into your back catalogue, you both have an extensive history as producers under various aliases and in several groups stretching back to the better part of 30 years. Would you ever consider reviving any of the older projects you both worked on together (for example Superstring)?
Ha ha, you´re digging deep …… well not everything was gold , but having said that, most of the rights from the 90´s should have long fallen back to us, so you never know…. go listen to old demos and releases every now and then and then look for sounds and sequences on old hard drives. you can imagine, there are dozens of old computers and hard drives ...
In the last few years you have set up Blaufield Music. Tell us a little about your label and its functions.
We had founded the label Get Physical together with our friends M.A.N.D.Y. , DJ T. and Peter Hayo in the early 2000´s and left in 2008, so we needed a new outlet for our music. and every now and then we release songs from friends of ours, for example fellow berliner CHI THANH, who has produced a magnificent remix for Body Language btw).
Could be that after the summer we´ll release a project of friends of ours from Melbourne.
Within the music industry, you as individuals and collectively as Booka Shade are known for having a great reputation and being highly professional while always remaining humble. Are these qualities you would recommend any DJ, producer or musician should withhold in order to maintain longevity in the scene?
Absolutely. most people who have been successful over a longer period of time (not just two summers) are very professional, work hard and stay grounded.
Who would you say has inspired you the most musically over the last 30 years?
Depeche mode, The Cure, New Order, Sven Vath
Do you have any tips as to who is about to blow up in the next couple of years?
ARTBAT from Ukraine are having a good run atm, look out for them.
Finally, feel free to tell us a fun fact that we wouldn't know about Booka Shade.
We love gardening in our free time.
Album Pre-order: https://sweatitout.lnk.to/CutTheStrings
Booka Shade – Australian Tour Dates
Friday 9th March: Pitch Music & Arts Festival, Mafeking Victoria
Saturday 10th March: Days Like This, Victoria Park, Sydney
Sunday 11th March: Prince Bandroom, Melbourne
Friday 16th March: The Met, Brisbane
Saturday 17th March: Powerstation, Auckland NZ
Sunday 18th March: Royal Croquet Club, Adelaide Fringe Festival
La Vibrations returns in full colours in 2018, with some influential and inspirational artists who are showcasing their flavour of techno. This summer season we present to you SLY FAUX (MOOD/MELB) and MADE IN PARIS (UPPER ACCESS/SYD). They both are currently on upcoming EP tours around Australia and internationally this year.
SLY FAUX (MOOD RECORDS)
Blurring the lines between a contemporary DJ set and live show, Sly Faux manages to merge the two seamlessly, to deliver a unified, mechanical and straight up set. Incorporating the use of controllers, drum samplers, and other devices allows him create on- the- fly edits and remixes which add variety and a sense of spontaneity to the performance. Expect rolling bass with Everest buildup that will send any audience into a frenzy at a moments notice.
Furthermore, Sly Faux has an established catalogue of releases and has also received support from artists such as Richie Hawtin, Len Faki, Sam Paganini Maceo Plex and of coarse, Nicole Moudabar.
Resident Advisor: https://www.residentadvisor.net/dj/slyfaux/biography
Stable Music: http://stablemusic.com.au/filter/talent/Sly-Faux
MOOD: Records: http://mood-records.net
MOOD (Youtube): https://www.youtube.com/user/moodrecordsmusic/featured
MADE IN PARIS (UPON ACCESS/SYD)
With Upcoming is her ‘Erratic’ EP on her label Upon Access, welcoming in 2018 with sheer drive following her most anticipated EP’s passed ‘You’re Wrong’ and ‘Mass Movement’ on Berlin label Salomo Records. ‘You’re Wrong’ took melodic techno to another level with love from BBC Radio, Ibiza Sonica & InTheMix, while the EP ‘Dancing In The Dark’ on Motorik just prior gained support from artists Nicole Moudaber, Danny Tenaglia, Tiga and more. 'The Vault' via Motorik also, recently had high support from Sven Vath & Maceo Plex at Timewarp Germany 2017.
Shadowing the touch of her pioneering peers, from the days of pure vinyl to the era of future beats, it’s without a doubt the magic lined up from her studio has pricked ears ahead of her next two EP’s on Mooseekaa 'Sonorous' and 'Lost Perception' on Upon Access. Her self directed record label also fashions the visionaries of tech house and techno talent, delivering EP’s from the country’s inaugural and anticipated of emerging producers including Somersault and Daniel Verhagen gaining love from Decoded Magazine, Dancing Astronaut and Pilerats.
Made in Paris has held the stakes on Australian bills with Ricardo Villalobos, Daniel Avery, tINI, Pan-Pot, Reboot and Matthias Meyer, at Australia’s prime underground venues to festivals Tell No Tales, Output, Listen Out and the Field Day main stage - making her a devilish staple in consoles across Sydney’s warehouses and the concrete jungles of the underground.
Resident Advisor: https://www.residentadvisor.net/dj/madeinparis
Location: Montague Bar (Capulet) - 188 Brunswick St, Fortitude Valley, Brisbane.
Relax Dress code.
18 + event // Entrance via the Capulet.
ULTRA AUSTRALIA DELIVERS A TRULY STUNNING AND FLAWLESS DEBUT EDITION OF ‘ROAD TO ULTRA’
MELBOURNE PAVES WAY FOR HUGE 2019 EXPANSION
Anticipation of Ultra Worldwide’s first foray into the land known universally as ‘Down Under,’ was at fever pitch and let there be no doubt, the event delivered and kept on delivering until the last record was played and the lights went out.
The day in Melbourne began with up-and-coming Artist Moe kicking off proceedings. The energy levels at that point were already soaring as Home-grown stars: Mashd N Kutcher and DJ Tigerlilyfollowed suit, whilst Timmy Trumpet and Will Sparks (with guest vocalist Luciana) upped the ante and set the bar high for what was to follow.
As the infamous ‘Ultra Angels’ brought their world-famous routine to the ‘Sidney Myer Music Bowl,’ next level production lighting was activated as dusk led to dark. Andrew Rayel who is much loved by Aussie audiences & no stranger to our shores, raised the energy levels & excitement in anticipation of KSHMR (where together with Carnage and Timmy Trumpet) expressed his delight at being on stage with both guys in Melbourne for the first time – where they performed their mega hit ‘Toca.’ Carnage by name and certainly carnage by nature, caused mayhem with his un-matchable energy and love of the microphone and this was of course the perfect lead up to Afrojack. Afrojack and MC Ambush entertained the masses with old hits & new, leading up to the night’s finale. It was Axwell’s closing set, (having played the same venue just a few years prior), that finally brought the curtain down with the final set, but not before blowing the minds of all in attendance.
Event organisers said: “We are thrilled with the response to our very first ‘Ultra Australia’ / ‘Road to Ultra’ event and are speechless with the turnout, behaviour and respect of our fans who’ve travelled from overseas and across Australia to be in Melbourne. We couldn’t have hoped for better and it is YOU, our fans, who have paved the way for greater things in 2019! See you next year in Melbourne & Sydney!!”
Road to Ultra is a collaboration between: Ultra Worldwide, PSV Group Australia, WAO Event Management & Lucky Entertainment.
For photos from the event, please go to:
http://bit.ly/2Cmg4YI / Photo Credit: Alishah Leontsinis
http://bit.ly/2GK5RTO / Photo Credit: Rukes.com
For more information, go to:
Australia’s favourite LIVE duo MASHD N KUTCHER Release NEW Video for their hit new single: ‘Need Me’By AdamMadd
TITLE: NEED ME (FEAT SAMMI CONSTANTINE)
ARTIST: MASHD N KUTCHER
LABEL: CASABLANCA RECORDS AUSTRALIA
WATCH VIDEO: http://bit.ly/2CuWHIi
‘Mashd N Kutcher’ have kicked off the year with the release of their brand new single ‘Need Me’ (feat. Sammi Constantine). With its infectious chorus and summer laden beat, ‘Need Me’ pays homage to The Cardigans’ international hit ‘Lovefool,’ a “song that stuck with us as kids growing up,” says the duo. The NEW video has just dropped & meshes Art, Dance & Music.
The boys play ‘Road to Ultra’ this Saturday in Melbourne – the First time the Mega brand ‘Ultra Music Festival’ hits Australia!!
#1 LIVE Electronic DJ Duo in Australia Writing & Performing Pop / Electronic / Dance Records for 6 years 2x Gold Certified Records in 18 Months: ‘Do It Now’ & ‘My Sunshine’ ‘Do It Now’ Top 10 Track on iTunes, #1 Shazam Chart, reached over 3 million+ streams and added to every major commercial radio station across the country ‘My Sunshine’ Top 5 on iTunes - #1 Most Played track on Australian Radio and reached #5 on iTunes In 2017 the duo completed a 5-month World Tour including: Asia, North America, Europe and Australia Mashd N Kutcher on Socials: 250 million video views in all, 1.2 million followers Facebook, 65,000 Instagrammers, 100,000 viewers on Snapchat and over 350,000 YouTube subscribers Mashd N Kutcher join AFROJACK, AXWELL /\ INGROSSO, KSHMR and more at ROAD TO ULTRA AUSTRALIA next month
The fresh pop track ‘Need Me’ is destined to be one of the early hits of 2018, which is not unfamiliar for the Brisbane grown classically trained pianist and drummer aka ‘Mashd N Kutcher.’ While their live-shows keep the dance floors jam-packed, their two Gold Records: ‘Do It Now’ and ‘My Sunshine’ have achieved chart-topping radio activity and video streams. ‘My Sunshine’ was a #1 Most Played track on Australian Radio and reached #5 on iTunes while ‘Do It Now’ has now reached over 3 million streams to date and was added to every major commercial radio station across the country.
Mashd N Kutcher have progressed from local DJs, to one of the most prominent electronic acts to grace the music scene in recent years. 2017 saw the pair complete a 5-month World Tour taking them across Asia, North America, Europe and Australia. With an ever-growing list of successes including being voted Australia’s #1 DJ duo (inthemix 2015), producing multiple Gold selling records, achieving viral video success for their infamous ‘mashups,’ making waves across the globe with their exhilarating live-electronic performances, MNK have one of Australia’s biggest social reaches online in music. With a growing 250 million video views in all, 1.2 million followers on Facebook, 65,000 Instagrammers, a whopping 100,000 viewers on Snapchat and over 350,000 YouTube subscribers, there is no slowing down for these two.
Mashd N Kutcher join AFROJACK, AXWELL /\ INGROSSO, KSHMR and more at ROAD TO ULTRA AUSTRALIA next month.
MASHD N KUTCHER LIVE SHOWS:
FRI 23rd FEB – PlayGround, WAGGA WAGGA
SAT 24th FEB – ROAD TO ULTRA AUSTRALIA – Sidney Myer Music Bowl, MELBOURNE
TUE 27th FEB – Club Co Crown, MELBOURNE
SAT 10th MAR – Platinum, BROADBEACH
SAT 17th MAR – Cartel Nightclub, MACKAY
SAT 24th MAR – Flinders HQ, TOWNSVILLE
THU 29th MAR – Carmen’s Nightclub, MIRANDA
SAT 31st MAR – Gilligan’s Nightclub, CAIRNS
It took a while, but Headhunterz finally has 'a new place where the magic happens'. His studio is actually finished and he is proud to show his social media. He even calls it a dream that has become reality. And we can imagine that, because mister Heady is pretty much planning in the brand new Music From Within Studio.
Right from the moment Headhunterz returned to hardstyle, the Veenendaler threw the door of his old studio behind him. There had to be a new one, in which he could raise Hard With Style to a higher level besides his own productions. This place is now finally realized after a months-long renovation. Headhunterz explained a bit of the veil here, but one of the companies that actually built the studio shows much more. According to the website of one of the builders, the company has "installed an extension in January that allows podcast recordings with multiple participants". View the footage from Headhunterz 'studio here, here, here and here.
The new Headhunterz studio is finally ready
Now that the new musical breeding ground is finished, we can secretly look forward to new enjoyment for Headhunterz's ear. In addition to the new mini-album, which will be released this year, he said earlier that he wants to bring his Hard With Style podcast to a 2.0 version. The studio would offer a solution. The last broadcast of HWS was thus even suspended to 2 February. Headhunterz apologized for this, but said that the delay for a good cause is: "It will all make sense very soon."
The post Dit is de nieuwe studio van Headhunterz is visible on Hard News.
Source: Hard News