Jump to content
  • Can you help us?

    If you have some serious passion for your local scene, and are interested in helping us build Australia's newest electronic music community, hit on the Apply Now button below to become an Ozclubbers contributor!

    Apply Now


  • Sign in to follow this  

    The Bloody Beetroots throw down hard at final U.S. tour stop in NYC


    Industrial electronic act The Bloody Beetroots recently completed the U.S. run of their tour in New York City, and Dancing Astronaut was on hand to witness the mayhem.

    From beginning to end, it was an energetic performance, with frontman Sir Bob Cornelius Rifo running, jumping, and dancing around the entire stage. It is perhaps this level of physicality that drives Rifos’s other venture: a series of regular fitness bootcamp sessions for fans and friends. It’s quite an ingenious way to engage the fans while also accomplishing a difficult workout.

    The show at Warsaw in New York City was largely punctuated with tracks from the group’s newest album release, The Great Electronic Swindle, a direct reference to The Great Rock & Roll Swindle, a documentary focused on seminal punk band The Sex Pistols. Rifo says that this album, in his view, was meant to push the boundaries of what electronic music production can and should be in 2017 and beyond.

    Not wanting to leave fans hanging, the night also Included the classics, with renditions of “Rocksteady” and “Warp 1.9” that drew some of the biggest mosh pits of the night. Dancing Astronaut can confirm that no one was harmed in the making of these mosh pits — at least on this stop.

    The Bloody Beetroots ended the night bringing out the lead singer of LA-based duo Rituals of Mine, who have accompanied Rifo and company on a number of stops this year. It was an emphatic stamp on a high-octane night. Next up is a trip back home to Italy, while the group finishes up some performances in Europe through the end of the year and then resets for big things in 2018.

    Read More:

    The Bloody Beetroots ruminate on the sustenance of EDM, challenge the industry with ‘The Great Electronic Swindle’ [Interview + Album Review]

    FIRST LOOK: The Bloody Beetroots issue gut-wrenching new single, ‘Saint Bass City Rockers’

    The Bloody Beetroots team with JET for new track ‘My Name Is Thunder’

    Source: Dancing Astonaut

    Sign in to follow this  

    User Feedback

    Recommended Comments

    There are no comments to display.

    Create an account or sign in to comment

    You need to be a member in order to leave a comment

    Create an account

    Sign up for a new account in our community. It's easy!

    Register a new account

    Sign in

    Already have an account? Sign in here.

    Sign In Now

  • We source our news and reviews from a number of sources.  From our local volunteer contributors (writers and reviewers) around Australia, to syndicated news sources including Your EDM, Dancing Astronaut, MixMag, By The Wavs, MNML, No Dough Music, Techno Kittens, Drum and Bass News, BBC, Junkee, and Trance Family.  Where the article has been sourced via syndication, you will find a link at the bottom of the article to the original source.

    Our local volunteer contributors are creative people who are passionate about the dance music and club scene in Australia and want to share their passion with others.  If you feel you fit into this category, we would love to hear from you!  Send us an application to become a contributor (writer / reviewer) by visiting https://ozclubbers.com.au/application

Add Your Event for FREE
Invite A Friend

  • Similar Content

      By GALLEON
      In the lead up to their Australian tour and the release of their new album, Cut The Strings, Ozclubbers' @GALLEON chats with Booka Shade about their music, the album, and just life in general!

      We warmly welcome you both Arno & Walter back to Australia for your run of dates in March. You have frequented our shores regularly in the last 10 years. What is it that keeps bringing you back down under?
      Ever since we first came in 2007, we have found an enthusiastic and loyal fanbase who not only cherishes the classic tracks, but also embraces more recent songs such as LOVE INC .
      We played some of the biggest festivals such as big day out, future fest etc, but also enjoy the headline club shows, like Melbourne last weekend and the ones coming up in Brisbane, Auckland and Adelaide (during fringe festival) .
      As the new album is only coming out in a couple of weeks, we play a lot of unreleased album songs in Australia, and it´s great to see the reaction of the crowd.
      Your previous live shows have never disappointed and always left the listener wanting more. Can you let us in on a few secrets as to what we might experience this time around?
      I guess it´s not really a secret when I say that we simply LOVE performing on a stage. that´s what we are really good at (together with producing music I hope) .
      And on this tour, also because the sound of the album is more ´back to the club´, our setup is very condensed , we have all channels for synthesizers, effects, drums under control on stage, we can react quickly and can interact more spontaneously , which gives the set great energy .
      With your last album Galvany Street, you took a different approach to your previous albums, which included the use of more hardware and  featured various collaborations. Does Cut The Strings have any similarities to Galvany Street or have you gone back to a predominantly club approach?
      After our 2013 album EVE we had the feeling that we had said everything in terms of bass lines and riffs. we had the feeling we would only repeat ourselves if we continued in our ´usual´ way, and as artists, we definitely always want to progress, evolve, not repeat.
      Which sounds risky, because we have a career we could perhaps simply continue for years and years.
      But that would be too easy …. :-)
      So on GALVANY STREET, we made an unusual step and produced an album outside of the techno box, no techno 4/4 beats , no ´booka synth riffs´ , a lot of vocals, even pop song writing.
      Most of the vocal tracks are together with Craig Walker, former member of the UK band ARCHIVE. btw he´s got a new project coming up called THEM THERE.
      We also collaborated with Fritz Hilpert from KRAFTWERK on a Dolby atmos mix of the entire album which was released as Blu-ray disc and is part of the Box Set we released.
      We needed this time out to recharge our club batteries and indeed, we found new inspiration for club music !
      And now, with this new enthusiasm for the club, comes CUT THE STRINGS .
      After the galvany street the only guideline we had was that we wanna go back to more clubbier music and that we don‘t wanna work so crazy long on tracks as we did in the past.it should be more spontaneous and open minded.
      You have worked with Troels Abrahamsen (vocalist on Kolsch 'All That Matters') on your latest single and title track, Cut The Strings. How did you get to know Troels?
      We actually contacted him years ago, shortly after ´all that matters´, and recorded a first version of what would later become CUT THE STRINGS.
      But then the GALVANY STREET project came in between and we put the song aside for a while, and picked up work in the autumn of last year.
      One of the novelties of the album CUT THE STRINGS is that we worked much more spontaneous and finished the production process quicker.
      On previous albums we easily worked for 2, even 3 years on an album. Again, that´s something we wanted to change in 2018.
      With your latest live show, do you individually have specific functions within the show or do you collaborate on all aspects?
      The work spaces are clearly defined since we first started: Walter plays keyboards, vocoder, sequences, Arno plays the drums and whenever we play longer sets, he does a DJ part in the middle of the set.
      When writing Cut The Strings, did you find any tried and tested production techniques useful?
      We used some instruments that we didn‘t use for a long time ,  for example an old EMS vocoder which we bought from Ian Stanley a former member of the 80‘s group tears for fears.
      You can hear it on tyrell and of course EMS love.this little box has a very special sound.
      How much do you find your methods of producing music evolve with the vast amount of software and plugins available?
      Even if it is so easy nowadays to do a good sound with all the plug inns which are out there ,we‘re always looking for new sounds with a character which can help to improve the trademark sound of Booka Shade.
      Not easy but it‘s worth it.
      It‘s all about challenging yourself and not be stuck in a formula.
      How do you both remain resilient and at the top of your game while touring given the long hours and continual amount of work needing to be done to make your performances so memorable?
      We have a pretty good time management, considering we both have families and a lot of obligations aside of music. also, we live a rather healthy lifestyle lately, and it´s incredible how much you can get done in a day and how much more energy you can have even with little sleep.
      Looking into your back catalogue, you both have an extensive history as producers under various aliases and in several groups stretching back to the better part of 30 years. Would you ever consider reviving any of the older projects you both worked on together (for example Superstring)?
      Ha ha, you´re digging deep …… well not everything was gold , but having said that, most of the rights from the 90´s should have long fallen back to us, so you never know…. go listen to old demos and releases every now and then and then look for sounds and sequences on old hard drives. you can imagine, there are dozens of old computers and hard drives ...
      In the last few years you have set up Blaufield Music. Tell us a little about your label and its functions.
      We had founded the label Get Physical together with our friends M.A.N.D.Y. , DJ T. and Peter Hayo in the early 2000´s and left in 2008, so we needed a new outlet for our music. and every now and then we release songs from friends of ours, for example fellow berliner CHI THANH, who has produced a magnificent remix for Body Language btw).
      Could be that after the summer we´ll release a project of friends of ours from Melbourne.
      Within the music industry, you as individuals and collectively as Booka Shade are known for having a great reputation and being highly professional while always remaining humble. Are these qualities you would recommend any DJ, producer or musician should withhold in order to maintain longevity in the scene?
      Absolutely. most people who have been successful over a longer period of time (not just two summers) are very professional, work hard and stay grounded.
      Who would you say has inspired you the most musically over the last 30 years?
      Depeche mode, The Cure, New Order, Sven Vath
      Do you have any tips as to who is about to blow up in the next couple of years?
      ARTBAT from Ukraine are having a good run atm, look out for them.
      Finally, feel free to tell us a fun fact that we wouldn't know about Booka Shade.
      We love gardening in our free time.

      Album Pre-order:  https://sweatitout.lnk.to/CutTheStrings
      Booka Shade – Australian Tour Dates
      Friday 9th March: Pitch Music & Arts Festival, Mafeking Victoria
      Saturday 10th March: Days Like This, Victoria Park, Sydney
      Sunday 11th March: Prince Bandroom, Melbourne
      Friday 16th March: The Met, Brisbane
      Saturday 17th March: Powerstation, Auckland NZ
      Sunday 18th March: Royal Croquet Club, Adelaide Fringe Festival    
    • Nordic-By-Nature
      By Nordic-By-Nature
      CASCADA (Germany) – First time in Australia
      DJ SASH! (Germany)
      DJ ALIGATOR (Denmark)
      N-TRANCE (UK)
      LOVE INC. (featuring vocalist Simone Denny) (Canada)
      + Special Guests: Nick Skitz + MC Kidd Kaos
      Wild Nights Tour Dates:
      Friday 15 June – Eatons Hill Hotel, Brisbane
      Tickets: http://bit.ly/2FLWRAI
      Saturday 16 June – Big Top Luna Park, Sydney
      Tickets: http://bit.ly/2DlWp6W
      Thursday 21 June – HQ Complex, Adelaide
      Friday 22 June – Trak Lounge, Melbourne
      Tickets: http://bit.ly/2DllrmN
      Saturday 23 June – Metro City, Perth
      Tickets: http://bit.ly/2p5U4Ii
      Announcing: Tuesday 13th March 9am AEDT 
      Pre-sale: Friday 16th March 9am AEDT to Monday 19th March 9am AEDT
      General Public on sale: Monday 19th March 9am
      For more information, go to: 
      In Brief:
      The biggest Australian Club brand and Multi-Platinum selling CD series ‘WILD’ is back for 2018 and going on tour across Australia.
      Featuring 5 of the world’s biggest dance superstars live on stage including: CASCADA, DJ SASH!, DJ ALIGATOR, N-TRANCE & LOVE INC. performing all of their hits live on stage.  Get taken on a nostalgic journey through the biggest dance anthems to hit the ‘Wild Radio’ air waves and played in clubs around Australia and around the world.
      The ‘Wild Nights Tour’ will be bringing back all the original DJs, music and memories for one night only, across Australia.  
      CASCADA (Everytime We Touch, Evacuate the Dancefloor, Because the Night)
        Since the release of their first album almost ten years ago, CASCADA look back on world-wide successes like: ‘Everytime We Touch,’ ‘Miracle,’ ‘Evacuate The Dancefloor,’ ‘San Francisco,’ ‘Summer Of Love’ or ‘The Rhythm of The Night.’ Front-singer Natalie Horler and her team of producers and writers Yann Peifer (Yanou) and Manuel Reuter (Manian) have topped charts in more than 20 countries with their irresistible dance-pop songs.  Collecting numerous awards (e.g. the World Music Award in 2007) throughout their career, they have established themselves as one of the top European dance floor acts of the present.
      For more info, go to:
      DJ SASH! (Encore Une Fois, Ecuador, Stay, Mysterious Times)

      SASH! is one of the most successful German DJ/Producers.  Having sold over 22 million records worldwide and achieved more than 65 Gold and Platinum awards.  All his songs entered the charts around the World almost everywhere in the top ten positions.
      SASH! made moves up the Business-Class end of the charts, where usually only Madonna, Ricky Martin or U2 would’ve been found.  The first single ‘It’s My Life’ came out in 1995 and became a club hit all over Europe.  However, the big breakthrough came with ‘Encore Une Fois’ in 1996.  A perfect mix of progressive House, trance and of course Pop sounds.  After this one hit came all the others, hit after hit after hit.  Including: ‘Ecuador,’ ‘Stay,’ ‘Mysterious Times,’ ‘Adelante,’ ‘La Primavera,’ ‘Colour the World’ & many more.
      For more info, go to:
      DJ ALIGATOR (The Whistle Song, Lollipop, Fly High)

      DJ Aligator enjoyed worldwide success with the hit single ‘The Whistle Song’ from his 2000 debut album ‘Payback Time.’ It peaked at number 5 in the UK in January 2002 and subsequently, he performed it on BBC’s ‘Top of the Pops.’ The song was a four time Platinum selling success in Denmark in 2000, peaking at number one on both the singles and Dance Chart.  Once released, ‘The Whistle Song’ crawled up the Danish music chart at a record breaking pace.  The single occupied the #1 position on the Danish sales chart for 14 weeks, the Danish dance chart for 16 weeks, DJ’s Favorite Chart for 8 weeks and the Danish hype chart for couple of weeks in a row.  The song became the ‘Best Selling Single’ in the year 2000 and in the history of EMI Records.  It also topped the dance charts of most countries in Europe.  About three months later, the first album was due for release. It included: The Whistle Song, Lollipop, Turn up the music and a few other great songs that also gained as much popularity as DJ Aligator’s earlier work.  Since DJ Aligator Project reached massive heights, a world-tour was planned accordingly, and before he knew it, he had performed in over 30 countries.
      For more info, go to:
       N-TRANCE (Set You Free, Stayin’ Alive, Da Ya Think I’m Sexy)

      N-Trance are a British electronic music group who were formed by Kevin O'Toole and Dale Longworth in 1991. The group has sold over 5 million records worldwide and some of their hit singles include: ‘Set You Free,’ ‘Forever,’ as well as covers of the popular 1970s disco songs: ‘Stayin Alive,’ ‘D.I.S.C.O’ & ‘Da Ya Think I’m Sexy.’ ‘Set You Free’ became a huge hit, being played by television and radio stations, reaching No. 2 in the charts and being certified Platinum in the UK, after selling over 600,000 copies.  The single was also released in other European countries and Australia.  The group's next single, a surprising cover of the Bee Gees’ hit ‘Stayin’ Alive,’ was not only a massive international hit, but also featured a vocalist who would help define N-Trance's sound in the future, Ricardo da Force, formerly rapper with ‘The KLF.’ Upon its release in the UK it debuted at No. 2 and internationally it became one of the biggest UK exports of 1995, reaching no. 1 in Australia and being top 5 in a number of European charts. 
      For more info, go to:
      LOVE INC. (featuring vocalist Simone Denny)(Broken Bones, You’re a Superstar, Here Comes the Sunshine) 

      In 1997, Simone hooked up with DJ/producer Chris Sheppard to form the group Love Inc.  Magic struck as their eponymous debut album went platinum.  The CD spawned numerous hits including the mind-blowing ‘Broken Bones,’ (which cracked the top ten on the Canadian pop charts, hit #1 on the dance charts, and won a JUNO plus 2 Much Music Awards), and the wondrous ‘You’re A Superstar,’ (which became a #1 Dance song domestically as well as internationally in Australia and Spain).  For co-writing the song ‘Who Do You Love,’ Simone earned a SOCANMusic Songwriter’s Award.  This success brought about a remarkable tour for Love Inc., taking them all across Canada as well as into Europe.  The turn of the millennium marked the release of Love Inc.’s second CD, ‘Into the Night.’ In 2001, their techno-pop single ‘Here Comes the Sunshine’ soared to the top of the Canadian dance charts, reached #3 in digital sales, and also received a JUNOand a Much Music award.
      Proving that anything can happen in the music industry, at the end of 2002 and into 2003, ‘You’re A Superstar’ and ‘Broken Bones’ were ecstatically embraced by the United Kingdom and Ireland.  Both singles reached the top ten on radio play and dance charts. This prompted a brief Love Inc. reunion and a tour overseas.
    • Ozclubbers.com.au
      By Ozclubbers.com.au
      It took a while, but Headhunterz finally has 'a new place where the magic happens'. His studio is actually finished and he is proud to show his social media. He even calls it a dream that has become reality. And we can imagine that, because mister Heady is pretty much planning in the brand new Music From Within Studio.
      Right from the moment Headhunterz returned to hardstyle, the Veenendaler threw the door of his old studio behind him. There had to be a new one, in which he could raise Hard With Style to a higher level besides his own productions. This place is now finally realized after a months-long renovation. Headhunterz explained a bit of the veil here, but one of the companies that actually built the studio shows much more. According to the website of one of the builders, the company has "installed an extension in January that allows podcast recordings with multiple participants". View the footage from Headhunterz 'studio here, here, here and here.
      The new Headhunterz studio is finally ready
      Now that the new musical breeding ground is finished, we can secretly look forward to new enjoyment for Headhunterz's ear. In addition to the new mini-album, which will be released this year, he said earlier that he wants to bring his Hard With Style podcast to a 2.0 version. The studio would offer a solution. The last broadcast of HWS was thus even suspended to 2 February. Headhunterz apologized for this, but said that the delay for a good cause is: "It will all make sense very soon."

      The post Dit is de nieuwe studio van Headhunterz is visible on Hard News.
      Source: Hard News
    • sonicc
      By sonicc
      Hey I'm that essential mix poster guy im probably doing it wrong but don't know this site.

Important Information

By using this site, you agree to our Terms of Use. Privacy Policy, and Guidelines