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  • We source our news and reviews from a number of sources.  From our local volunteer contributors (writers and reviewers) around Australia, to syndicated news sources including Your EDM, Dancing Astronaut, MixMag, By The Wavs, MNML, No Dough Music, Techno Kittens, Drum and Bass News, BBC, Junkee, and Trance Family.  Where the article has been sourced via syndication, you will find a link at the bottom of the article to the original source.

    Our local volunteer contributors are creative people who are passionate about the dance music and club scene in Australia and want to share their passion with others.  If you feel you fit into this category, we would love to hear from you!  Send us an application to become a contributor (writer / reviewer) by visiting https://ozclubbers.com.au/application

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    • OzClubbers
      By OzClubbers
      Even though it’s getting darker by the day, we now have something to look forward to already for the moment that the sun is starting to shine brightly again. Rebirth Festival has announced it’s line-up for the forthcoming edition. With over 100 artists divided over the 5 stages and 2 days, the 10th anniversary of the event will definitely be celebrated big time. Check out the full line-up down below.
      Over the years it has become a tradition to start the festival season at Rebirth Festival, where visitors can go back outside for two days after a winter full of indoor parties. This year it has five different stages, including everything from hardstyle to freestyle, classics to raw and much more. Day 1 is packed with harder styles artist. Besides that the guys from B-Freqz are hosting the mainstage on Sunday, there’s also hardcore making it’s debut at the festival on that same day. “Let’s kick off the festival season!”
      Rebirth Festival 2018 – 10 Years Ceremony
      The festival season will begin at Rebirth Festival on Saturday the 7th & Sunday the 8th of April 2018. Tickets for the event are now available at the official website of the event.
      This is the Rebirth Festival line-up
      The post Rebirth Festival introduces line-up for 10 Year Anniversary is visible on Hard News.
      Source: Hard News NL
    • OzClubbers
      By OzClubbers
      Factory 93 has once again completely transformed a stereotypical Los Angeles venue into an underground oasis for music lovers in the heart of Hollywood. Saturday the quickly growing Insomniac brand specifically for House and Techno music aficionados took over the Hollywood Palladium, one of the oldest and most well known performances venues in Los Angeles. This venue, which opened in 1940, has featured artists like: the Tommy Dorsey band featuring Frank Sinatra, who performed the night the venue first opened its doors; iconic rock artists including The Who and Led Zeppelin; more recent pop artists like Justin Timberlake; and, this past weekend it played host to house music legends Solomun and his +1 Hot Since 82. Only a huge brand like Insomniac could pull an event like this off while also completely changing a well known concert venue into a living and breathing nightclub atmosphere where the social environment is as important as the music.
      From its forays at EDC to the collaboration with Exchange LA, a nightclub housed in the former stock market downtown, to the warehouse renovation in order to give Factory 93 a home in Los Angeles: the Insomniac brand has always understood the concept of the social requirements of electronic music. We go out to see certain artists and to dance, that is a givien; however, we go out to see and experience each other too. Initially I was slightly disappointed such a huge event as a Solomun+1 show would be happening at the Palladium, no matter how iconic it is. This venue is a concert venue and organized for fans to watch a show. Yes, dance music artists have played there before, but the set up does not encourage the interactive dancing and social atmosphere which a nightclub inherently has.
      However, upon walking in I immediately realized that for a Factory 93 event one will never get simply what they expect. The production team had completely reoriented the space and transformed the giant venue into a oblong nightclub. They built their own stage on the far left side rather than use the stage to the front of the entrance. It was fully equipped with lasers and led panels completed by a disco ball covering the crowd in prismatic glitter. They put in extra bars along where the stage normally sits which enhanced the nightclub atmosphere and reduced wait times to grab a drink. The entire venue was a bar and the entire bar was the dance floor.
      Hot Since 82 came on and enticed the crowd into a dance. However, the atmosphere created allowed for the chatting one can expect at the beginning of the night out in any city. As his set continued the white noise began to dissipate as his tone became a little deeper leading in perfectly to Solomun himself. The sets merged together seamlessly. I had not seen Solomun in action before and it was truly mesmerizing. The Factory 93 team had perfectly designed the visuals to enhance his music without being too distracting. The lasers hit at just the right moments and certain drops brought a flood of light allowing the smiles from across the room to be shared by all. Fans dancers waved brought a touch of a breeze to us all as we sweat together and danced the night away. They ended with a b2b set which tapered off every so slightly from the depth Solomun had brought us into and allowed us to make our way out and back into reality again.
      The only odd thing about the whole setup was that the VIP area was directly above the stage. People who had paid more money for a table or VIP access had no view of the DJs or stage itself. They did, however, have access to an exclusive bar and bathroom without a line. Also, there was no reason they couldn’t go downstairs and merge with the rest of the crowd. I can see how some people may have been put off; but, the venue was more of a nightclub than a concert venue. I think it may have forced more interaction than would have been the case on a normal night in Hollywood. Hollywood is a city where people love to feel exclusive. The show brought out an interesting mix of the Hollywood norm of bandage dresses and heels alongside bros wearing Factory 93 snapbacks and girls in glitter and combat boots. It was an amalgamation on Hollywood and the dance music community and Factory 93 created the perfect space for mixing without overemphasizing exclusivity. The change put everyone on more equal footing and the rearrangement made the dance floor large enough to accommodate a large crown without overcrowding.
      Solomun+1 was a huge success and I think perfectly highlights what Insomniac is seeking to do with the Factory 93 brand: bring together underground music lovers in safe spaces to share and experience music and culture. They never settle to simply use a venue the way it is but transform it to perfectly fit the artists and fans they bring into the space. It felt like I was in a new nightclub event though the Palladium has been around since the Golden Age of Hollywood. It shows Factory 93’s understanding of underground culture and I am excited for more collaborations with artists and venues to come in 2018.
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      The post Factory 93 Creates The Perfect Atmosphere For Solumun+1 In Los Angeles appeared first on Deep House Amsterdam.
      Source: Deep House Amsterdam
    • OzClubbers
      By OzClubbers
      New Parisian imprint Lost On You is the first electronic record label and benefit program to donate all money raised from album sales.
      The label is a platform for talent, where talent becomes a way to help alleviate some of the toughest problems faced around the world, in this case, the fight against malnutrition, hunger and sanitary problems in the poorest parts of Africa.
      For it’s debut release, Several Definitions, steps in with a pearl of evocative on an expertly produced EP, “Sierra,” only fitting that such a refreshingly progressive label.
      “Sierra” is available 15 January on Lost on You

      Soundcloud Label Page
      The post New Parisian Philanthropic Imprint LOST ON YOU Launches With 100% Album Profits For Charity appeared first on Deep House Amsterdam.
      Source: Deep House Amsterdam
    • OzClubbers
      By OzClubbers
      Spotify’s Discover Weekly playlist could soon account for user preference.
      Discover Weekly relies on an algorithm to compile a list of songs that would likely appeal to the listener, given the Spotify user’s listening history. The playlist refreshes each Monday, routinely offering new recommendations for streamers.
      The playlist’s weekly renewal is favorable for the Spotify users that find their Discover Weekly collection to be irreflective of their tastes, but if Spotify moves ahead with its latest trial feature, listeners will be able to have more input in the formation of their Discover Weekly playlist. Spotify is accordingly testing a like/dislike feature to be used in conjunction with Discover Weekly. The like/dislike function is comparable to that of Spotify’s Daily Mix, which allows users to up-vote or down-vote a track, effectively reshaping the algorithm used to create the mix via vote. To like a song, Spotify users need only to click the heart button representative of “like.” To dislike a track, users can click the blocked sign button, indicating that one does not like the tune.
      The like/dislike button for the Discover Weekly playlist currently appears to be randomly distributed among Spotify accounts, as some patrons of the streaming service have reported that they do not in fact have the ability to like or dislike songs from the weekly compilation. Spotify has not announced when the feature will become uniformly applied across Spotify accounts.
      H/T: Mashable
      Read More:
      Spotify submits $43.4-million-dollar settlement in class action lawsuit
      Spotify acquires cloud based collaborative DAW
      New Spotify data shows sharp increase in listening time, artist diversity
      Source: Dancing Astonaut
    • OzClubbers
      By OzClubbers
      Every year Q-Dance organises their Q-Dance Top 100. At this top 100 it’s possible to choose your five favorite tracks that came out in 2017. In other words, the top 100 only allows tracks with a official release on their name.
      So, after you’ve chosen your five favorite tracks, you have to rank each track from 1 to 5, based on which you think is the best. Eventually, after every one has voted, the ten most chosen tracks will be represented during the Freaqshow Top 10. These chosen ones will be played during the last edition of the event.
      Vote for the Q-dance Top 100 and win tickets
      Q-dance has announced that two voters will be selected. These winners both receive a ticket for a Q-dance event at own choice. However, it is required that you have a Facebook-account to vote.
      Voting for the Q-dance Top 100 can be done here and is possible till the 8th of December at 23:59 (CET).
      The post Stem nu voor de Q-dance Top 100 is visible on Hard News.
      Source: Hard News NL
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