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  • We source our news and reviews from a number of sources.  From our local volunteer contributors (writers and reviewers) around Australia, to syndicated news sources including Your EDM, Dancing Astronaut, MixMag, By The Wavs, MNML, No Dough Music, Techno Kittens, Drum and Bass News, BBC, Junkee, and Trance Family.  Where the article has been sourced via syndication, you will find a link at the bottom of the article to the original source.

    Our local volunteer contributors are creative people who are passionate about the dance music and club scene in Australia and want to share their passion with others.  If you feel you fit into this category, we would love to hear from you!  Send us an application to become a contributor (writer / reviewer) by visiting https://ozclubbers.com.au/application

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    • AdamMadd
      By AdamMadd

      WATCH VIDEO: http://bit.ly/2CuWHIi

      ‘Mashd N Kutcher’ have kicked off the year with the release of their brand new single ‘Need Me’ (feat. Sammi Constantine).  With its infectious chorus and summer laden beat, ‘Need Me’ pays homage to The Cardigans’ international hit ‘Lovefool,’ a “song that stuck with us as kids growing up,” says the duo.  The NEW video has just dropped & meshes Art, Dance & Music.
      The boys play ‘Road to Ultra’ this Saturday in Melbourne – the First time the Mega brand ‘Ultra Music Festival’ hits Australia!!

      #1 LIVE Electronic DJ Duo in Australia Writing & Performing Pop / Electronic / Dance Records for 6 years 2x Gold Certified Records in 18 Months: ‘Do It Now’ & ‘My Sunshine’ ‘Do It Now’ Top 10 Track on iTunes, #1 Shazam Chart, reached over 3 million+ streams and added to every major commercial radio station across the country ‘My Sunshine’ Top 5 on iTunes - #1 Most Played track on Australian Radio and reached #5 on iTunes In 2017 the duo completed a 5-month World Tour including: Asia, North America, Europe and Australia Mashd N Kutcher on Socials: 250 million video views in all, 1.2 million followers Facebook, 65,000 Instagrammers, 100,000 viewers on Snapchat and over 350,000 YouTube subscribers Mashd N Kutcher join AFROJACK, AXWELL /\ INGROSSO, KSHMR and more at ROAD TO ULTRA AUSTRALIA next month  
      In Brief:
      The fresh pop track ‘Need Me’ is destined to be one of the early hits of 2018, which is not unfamiliar for the Brisbane grown classically trained pianist and drummer aka ‘Mashd N Kutcher.’ While their live-shows keep the dance floors jam-packed, their two Gold Records: ‘Do It Now’ and ‘My Sunshine’ have achieved chart-topping radio activity and video streams. ‘My Sunshine’ was a #1 Most Played track on Australian Radio and reached #5 on iTunes while ‘Do It Now’ has now reached over 3 million streams to date and was added to every major commercial radio station across the country.
      Mashd N Kutcher have progressed from local DJs, to one of the most prominent electronic acts to grace the music scene in recent years.  2017 saw the pair complete a 5-month World Tour taking them across Asia, North America, Europe and Australia.  With an ever-growing list of successes including being voted Australia’s #1 DJ duo (inthemix 2015), producing multiple Gold selling records, achieving viral video success for their infamous ‘mashups,’ making waves across the globe with their exhilarating live-electronic performances, MNK have one of Australia’s biggest social reaches online in music.  With a growing 250 million video views in all, 1.2 million followers on Facebook, 65,000 Instagrammers, a whopping 100,000 viewers on Snapchat and over 350,000 YouTube subscribers, there is no slowing down for these two.
      Mashd N Kutcher join AFROJACK, AXWELL /\ INGROSSO, KSHMR and more at ROAD TO ULTRA AUSTRALIA next month.
      FRI 23rd FEB – PlayGround, WAGGA WAGGA
      SAT 24th FEB – ROAD TO ULTRA AUSTRALIA – Sidney Myer Music Bowl, MELBOURNE
      TUE 27th FEB – Club Co Crown, MELBOURNE
      SAT 10th MAR – Platinum, BROADBEACH
      SAT 17th MAR – Cartel Nightclub, MACKAY
      SAT 24th MAR – Flinders HQ, TOWNSVILLE
      THU 29th MAR – Carmen’s Nightclub, MIRANDA
      SAT 31st MAR – Gilligan’s Nightclub, CAIRNS
    • Nordic-By-Nature
      By Nordic-By-Nature
      ‘Road to Ultra’ Australia is excited to announce that Rukes – named #1 DJ Photographer in the ‘Greatest Music Photographers Right Now’ by Complex – will be coming to Melbourne for the inaugural event.

      Rukes’ Photos have been published by: Rolling Stone, Spin, Vanity Fair, Q, MTV, LA Times, Forbes, Elektro, DJ Mag, US Weekly and USA Today, just to name a few! His worldwide client list includes: Zedd, Above & Beyond, Excision, Deadmau5, Swedish House Mafia (as well as each member Axwell, Sebastian Ingrosso and Steve Angello), Calvin Harris, Avicii, Skrillex, Hardwell, Tommy Lee, Alesso, Steve Aoki, REZZ, Tiësto and many more!  Not to mention shooting for some of the biggest festivals & events in the world such as: Ultra Music Festival, Coachella, Red Rocks, Holy Ship, EDC and many more!
      The event will be held in Melbourne: Saturday 24th February 2018, at Sidney Myer Music Bowl.
      For Tickets to Road to ULTRA Australia, go to: http://ultraaustralia.com
      About Rukes:
      Drew Ressler aka Rukes is considered the #1 DJ photographer in the world (named #1 in the ‘Greatest Music Photographers Right Now’ by Complex).  With natural talent and a lot of practice, he's been lucky enough to photograph the biggest Dance Music artists, events and festivals around the globe!
      He's come a long way since his first foray into DJ and event photography in late 2003.  After moving to LA and tagging along with DJs for gigs at Avalon Hollywood, he began honing his skills and upgrading his equipment throughout 2004-2005.  In 2006 he quit his "real job" in the gaming industry to focus on photography full time, working for Avalon, Giant and Insomniac for the next few years in Los Angeles.  All that hard work paid off when he landed his first tour with Deadmau5 in 2009, traveling all over the globe with him.  From that point on, Rukes hasn't slowed down and can now be found jetting around the world on any given day with DJs such as Zedd or music festivals like Ultra!
      With a huge social media following on Instagram, Twitter and Facebook, his adventures around the world are followed by many!
      Ruke’s Photos have been published by: Rolling Stone, Spin, Vanity Fair, Q, MTV, LA Times, Forbes, Elektro, DJ Mag, US Weekly and USA Today, just to name a few! His worldwide client list includes: Zedd, Above & Beyond, Excision, Deadmau5, Swedish House Mafia (as well as each member Axwell, Sebastian Ingrosso and Steve Angello), Calvin Harris, Avicii, Skrillex, Hardwell, Tommy Lee, Alesso, Steve Aoki, REZZ, Tiësto and many more!
      For more info go to: http://www.rukes.com
    • Nordic-By-Nature
      By Nordic-By-Nature

      Congratulations to DJ/Producer Dennis White aka Latroit.  Dennis won a Grammy for his remix of Depeche Mode’s track ‘You Move’ at yesterday’s 60th Grammy Awards, at Madison Square Gardens, New York.
      Dennis’ current release ‘Feather’ with Lliam Taylor & Aussie vocalist Charlz is currently being played on radio across the country. 
      Listen to Dennis’ incredible Grammy speech here: https://www.grammy.com/grammys/videos/latroit-wins-best-remixed-recording-2018-grammys
      For a track titled Feather, Melbourne-based Charlz’s latest single packs a distinctive punch.  With Charlz's intriguing, delicate vocal performance, supported by the understated production of Grammy nominated producer Latroit and frequent collaborator Lliam Taylor, Feather feels like the Annie Lennox and Flume collaboration that never was. 
      In early November, Charlz debuted Feather to a sold out Melbourne audience, opening for US R&B disruptor Khalid at the 5000 seat Festival Hall.  Just seven days later, Feather would find itself climbing the Spotify Viral Charts, alongside a starting position on the streaming service’s flagship playlist, New Music Friday.
      About Charlz:
      Fresh from topping the Spotify ‘Global Viral Charts’ with her previous release About Last Night and collecting 5 million+ digital streams on a year's worth of releases along the way, Charlz is discretely preparing for her debut project in 2018.  Recently returned home from a 6 month creative stint in California, Charlz is adding the finishing touches to her next solo single 'Colors,' produced by Grammy award winning producer M-Phazes, hot off of his success with recent ARIA award winner Amy Shark.
      About Lliam + Latroit:
      Los Angles based Latroit is having an extraordinarily curious year.  After providing music for several conspicuous movie trailer campaigns (Spiderman 3 and Tom Cruise's 'American Made' among them) the Detroit native is closing out 2017 with a Grammy Nomination for his critically acclaimed remix of Depeche Mode's 'You Move.' Having spent the proceeding twelve months dominating blogs, DJ sets, Playlists & Charts globally, Latroit has been rapidly raising the right eyebrows with releases like: Loving Every Minute and the UK top 5: ‘Need You Tonight.’
      A relative newcomer, Lliam Taylor is hastily becoming dance music’s best kept secret.  Having been hand picked by none other than Kaskade to open for the dates on the music icon's North American tour, Lliam is no stranger to A-List DJ sets and influential playlists with releases and remixes on venerable labels such as: Armada, Atlantic, Be Rich and Insomniac.
      For more information, go to:

    • OzClubbers
      By OzClubbers
      Even though it’s getting darker by the day, we now have something to look forward to already for the moment that the sun is starting to shine brightly again. Rebirth Festival has announced it’s line-up for the forthcoming edition. With over 100 artists divided over the 5 stages and 2 days, the 10th anniversary of the event will definitely be celebrated big time. Check out the full line-up down below.
      Over the years it has become a tradition to start the festival season at Rebirth Festival, where visitors can go back outside for two days after a winter full of indoor parties. This year it has five different stages, including everything from hardstyle to freestyle, classics to raw and much more. Day 1 is packed with harder styles artist. Besides that the guys from B-Freqz are hosting the mainstage on Sunday, there’s also hardcore making it’s debut at the festival on that same day. “Let’s kick off the festival season!”
      Rebirth Festival 2018 – 10 Years Ceremony
      The festival season will begin at Rebirth Festival on Saturday the 7th & Sunday the 8th of April 2018. Tickets for the event are now available at the official website of the event.
      This is the Rebirth Festival line-up
      The post Rebirth Festival introduces line-up for 10 Year Anniversary is visible on Hard News.
      Source: Hard News NL
    • OzClubbers
      By OzClubbers
      Factory 93 has once again completely transformed a stereotypical Los Angeles venue into an underground oasis for music lovers in the heart of Hollywood. Saturday the quickly growing Insomniac brand specifically for House and Techno music aficionados took over the Hollywood Palladium, one of the oldest and most well known performances venues in Los Angeles. This venue, which opened in 1940, has featured artists like: the Tommy Dorsey band featuring Frank Sinatra, who performed the night the venue first opened its doors; iconic rock artists including The Who and Led Zeppelin; more recent pop artists like Justin Timberlake; and, this past weekend it played host to house music legends Solomun and his +1 Hot Since 82. Only a huge brand like Insomniac could pull an event like this off while also completely changing a well known concert venue into a living and breathing nightclub atmosphere where the social environment is as important as the music.
      From its forays at EDC to the collaboration with Exchange LA, a nightclub housed in the former stock market downtown, to the warehouse renovation in order to give Factory 93 a home in Los Angeles: the Insomniac brand has always understood the concept of the social requirements of electronic music. We go out to see certain artists and to dance, that is a givien; however, we go out to see and experience each other too. Initially I was slightly disappointed such a huge event as a Solomun+1 show would be happening at the Palladium, no matter how iconic it is. This venue is a concert venue and organized for fans to watch a show. Yes, dance music artists have played there before, but the set up does not encourage the interactive dancing and social atmosphere which a nightclub inherently has.
      However, upon walking in I immediately realized that for a Factory 93 event one will never get simply what they expect. The production team had completely reoriented the space and transformed the giant venue into a oblong nightclub. They built their own stage on the far left side rather than use the stage to the front of the entrance. It was fully equipped with lasers and led panels completed by a disco ball covering the crowd in prismatic glitter. They put in extra bars along where the stage normally sits which enhanced the nightclub atmosphere and reduced wait times to grab a drink. The entire venue was a bar and the entire bar was the dance floor.
      Hot Since 82 came on and enticed the crowd into a dance. However, the atmosphere created allowed for the chatting one can expect at the beginning of the night out in any city. As his set continued the white noise began to dissipate as his tone became a little deeper leading in perfectly to Solomun himself. The sets merged together seamlessly. I had not seen Solomun in action before and it was truly mesmerizing. The Factory 93 team had perfectly designed the visuals to enhance his music without being too distracting. The lasers hit at just the right moments and certain drops brought a flood of light allowing the smiles from across the room to be shared by all. Fans dancers waved brought a touch of a breeze to us all as we sweat together and danced the night away. They ended with a b2b set which tapered off every so slightly from the depth Solomun had brought us into and allowed us to make our way out and back into reality again.
      The only odd thing about the whole setup was that the VIP area was directly above the stage. People who had paid more money for a table or VIP access had no view of the DJs or stage itself. They did, however, have access to an exclusive bar and bathroom without a line. Also, there was no reason they couldn’t go downstairs and merge with the rest of the crowd. I can see how some people may have been put off; but, the venue was more of a nightclub than a concert venue. I think it may have forced more interaction than would have been the case on a normal night in Hollywood. Hollywood is a city where people love to feel exclusive. The show brought out an interesting mix of the Hollywood norm of bandage dresses and heels alongside bros wearing Factory 93 snapbacks and girls in glitter and combat boots. It was an amalgamation on Hollywood and the dance music community and Factory 93 created the perfect space for mixing without overemphasizing exclusivity. The change put everyone on more equal footing and the rearrangement made the dance floor large enough to accommodate a large crown without overcrowding.
      Solomun+1 was a huge success and I think perfectly highlights what Insomniac is seeking to do with the Factory 93 brand: bring together underground music lovers in safe spaces to share and experience music and culture. They never settle to simply use a venue the way it is but transform it to perfectly fit the artists and fans they bring into the space. It felt like I was in a new nightclub event though the Palladium has been around since the Golden Age of Hollywood. It shows Factory 93’s understanding of underground culture and I am excited for more collaborations with artists and venues to come in 2018.
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      The post Factory 93 Creates The Perfect Atmosphere For Solumun+1 In Los Angeles appeared first on Deep House Amsterdam.
      Source: Deep House Amsterdam

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