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  • We source our news and reviews from a number of sources.  From our local volunteer contributors (writers and reviewers) around Australia, to syndicated news sources including Your EDM, Dancing Astronaut, MixMag, By The Wavs, MNML, No Dough Music, Techno Kittens, Drum and Bass News, BBC, Junkee, and Trance Family.  Where the article has been sourced via syndication, you will find a link at the bottom of the article to the original source.

    Our local volunteer contributors are creative people who are passionate about the dance music and club scene in Australia and want to share their passion with others.  If you feel you fit into this category, we would love to hear from you!  Send us an application to become a contributor (writer / reviewer) by visiting https://ozclubbers.com.au/application

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    • GALLEON
      By GALLEON
      After the release of their newest track "Don't Stop Believin" and the press that Mash'd N Kutcher have received from the Frank Walker prank, our Brisbane writer, @GALLEON takes some time out with the boys.
       
      GALLEON: So thanks for taking the time to have a chat to us. Briefly tell us how Mash'd N Kutcher was born all those years ago.
       
      Mash’d N Kutcher: Watching two and a half men when Ashton joined the cast while simultaneously juggling making mashups on soundcloud and trying to come up with a name. All just fell together really!
       
      G: There is no denying you guys are known for hilariously trolling crowds. But...Frank? What made you guys expand Mr Walker's business dealings into Germany?
      MnK: Grew up listening to him on the radio in mum’s car so figured the rest of the world couldn’t miss out haha
       
      G: Tell us about some of the more notable reactions you have got from your pranks?
      MnK: Essentially just doing the unexpected! Anywhere we can have a little fun we seize the opportunity really
       
      G: You guys have had an on point formula of reworking classic tracks into a current and commercially successful sound. How do you guys choose the right classic to reinvent?
      MnK: We try and go for one hit wonders, this seems to keep everyone happy and avoids the risk of butchering songs that probably shouldn’t be touched. For example we wouldn’t touch songs from bands like linkin Park, green day, chilli peppers etc... people grew up and connected with these records at really important times of their lives and the risk of spoiling that is far too much to warrant messing with a classic in some cases!
       
      G: You have reworked the Journey classic 'Don't Stop Believein' into a 2018 bigroom stomper. How did this new mix come about and how did you choose the vocalist?
      MnK: Great description haha! We actually contacted our friend who is the lead singer of the potbelleez and asked him who he thought best for the job, without hesitation he recommend Addison and he’s nailed it. Couldn’t have asked for a better match!
       
      G: Gig wise, what's on the cards for Mash'd N Kutcher in the next 12 months or so?
      MnK: Beginning now to creep our way into the larger festivals and stages which is exciting! We’re now starting to play some of the bigger stages in EU and Asia etc so more of that!
       
      G: Which artists are on your radar ready to blow up in the next year?
      MnK: Ones to watch would be Jaysounds, Sÿde, Chris royal, Tyron Hapi!
       
       
      G: What would be your most notable gig or memory playing together?
      MnK: There’s been a few! Playing in our hometown of Brisbane is always a treat though, as our friends and family can actually get around it and come to a show!
       
      G: There's a fair bit of info about Mash'd N Kutcher already floating around, but tell us something people don't know about you guys.
      MnK: As playing a show usually follows dinner, one of us will usually burp on stage mid show which will involve the other having to smell it, sometimes causing a full blown argument on stage masked by smiles in front of the crowd who are none the wiser.
       
       
      For more info, go to:
      https://www.mashdnkutcher.com
      https://twitter.com/mashdnkutcher
      https://www.facebook.com/mashdnkutcher
      https://www.instagram.com/mashdnkutcher
      https://soundcloud.com/mashdnkutcher
    • OzClubbers
      By OzClubbers
      MasterClass, the premier online education platform, announced today that legendary DJ Armin van Buuren is teaching his first ever online class. The class is open for pre-enrollment starting today at www.masterclass.com/avb. Enrollment in the class is $90, or $180 per year for unlimited access to all new and existing MasterClasses with the All-Access Pass. Each enrollment option can also be given as a gift.
      Armin van Buuren, one of the most influential figures in the global dance scene, has topped the Billboard charts, attracted tens of millions of worldwide listeners to his weekly radioshow “A State of Trance,” and landed a record-setting five No. 1 DJ awards from DJ Mag’s Top 100 DJs. The Grammy-nominated artist’s work has spanned major evolutions in dance music, from spinning with vinyl in small clubs to headlining global dance festivals.
      In his 20th year as an artist, van Buuren will share insights about what it takes to get established in the competitive and ever-changing business of dance music. Students will get an intimate look into the artist’s creative process as van Buuren creates a track from scratch specifically for his MasterClass. Aspiring producers will learn his pillars for becoming a world-class DJ—production, performance, and promotion. The class dives into the more technical aspects of producing, including mixing, arranging, and building dance-worthy drops.
      “Nowadays, to be a successful artist and DJ, it’s not enough to just know how to spin records. If you want to stand out, you need to make your own records, write music, and make remixes and mashups for your DJ sets. I’m truly excited to share my passion for producing music and DJing in my MasterClass,” said Armin van Buuren, MasterClass instructor. “It’s the first time I get to show you my secrets and tips, and everything I’ve learned in my twenty years in this business.”

       
      “Armin is an international icon of dance music. Despite his musical genius, he has stayed humble, hard-working, earnestly connected to his fans, and has never lost sight of the joy in his work. His passion for teaching is infectious. There really is an art and science to making people dance — it has to do with sculpting sound, mixing, and arranging songs for maximum impact — that’s Armin’s mastery, and he’s certainly one of the best to ever do it,” said David Rogier, CEO and Co-Founder of MasterClass.
      MasterClass is an online education company which provides classes from world-renowned instructors, making it possible for anyone to learn from the best. Each class offers a unique learning experience which includes video lessons from the instructor, interactive exercises, course materials, peer interaction, and more. All classes are available online for individual purchase at www.masterclass.com.
      The post MasterClass Announces Armin van Buuren to Teach Dance Music appeared first on Trance Hub.
      Source: Trance News
    • OzClubbers
      By OzClubbers
      Starting this Wednesday, December 6, Moogfest and Tom Tom Magazine present Always On, a 50-hour global livestream with continuous, hour-long live performances from female, transgender, and non-binary artists around the world. The livestream will be broadcast at http://AlwaysOn.Live starting at 12pm ET this Wednesday until 2pm ET this Friday.
      As described below by electronic music artist and activist Madame Gandhi, the livestream celebrates the abundance of female, transgender, and non-binary artists actively exploring the possibilities and frontiers hidden within electronic music, despite under representation in major music spaces.
      The Always On lineup will be released alongside Wednesday’s larger festival announcement. Until then, set an alert and prepare to explore the singular sonic worlds that these masterful creators occupy.
      The livestream will be available for free at http://AlwaysOn.Live. You can watch from anywhere beginning at 12pm ET on Wednesday December 6 until 2pm ET on Friday December 8.
      Moogfest takes place in Durham, N.C. May 17 – 20, 2018

      The post Moogfest Launches Global Livestream With All Female, Transgender artists Announced by Madame Gandhi appeared first on Trance Hub.
      Source: Trance News
    • OzClubbers
      By OzClubbers
      Décalé. celebrates the launch of their labeland first release : Nar’Chiveol – Esperance Music Wir with a bit of a mini-tour starting Thursday, 7 December in Amsterdam Oost’s intimate Oosterbar
      Join a special combination of artists – Gilb’R (VERSATILE / Amsterdam) and Tako (Music From Memory , RedlightRecords Amsterdam) will close the night with a 3h back to back, while Master Phil b2b Alan Briand kick things off.
      Décalé. is a newly formed label that focuses on reissuing worldwide “french speaking” music from the 80s & 90s across multiple genres: Synth-Pop , West Indies , New Beat , Occitan Folk , Afrobeat, alonsgide a healthy dose of the weird and wonderful

      7 December | Décalé. Apocalypse Tour w/ Gilb’r b2b Tako | Tickets | Oosterbar
      The post Celebrate The Launch Of Obscure Imprint Décalé. At Oosterbar To Kick This Weekend Off appeared first on Deep House Amsterdam.
      Source: Deep House Amsterdam
    • OzClubbers
      By OzClubbers
      Factory 93 has once again completely transformed a stereotypical Los Angeles venue into an underground oasis for music lovers in the heart of Hollywood. Saturday the quickly growing Insomniac brand specifically for House and Techno music aficionados took over the Hollywood Palladium, one of the oldest and most well known performances venues in Los Angeles. This venue, which opened in 1940, has featured artists like: the Tommy Dorsey band featuring Frank Sinatra, who performed the night the venue first opened its doors; iconic rock artists including The Who and Led Zeppelin; more recent pop artists like Justin Timberlake; and, this past weekend it played host to house music legends Solomun and his +1 Hot Since 82. Only a huge brand like Insomniac could pull an event like this off while also completely changing a well known concert venue into a living and breathing nightclub atmosphere where the social environment is as important as the music.
      From its forays at EDC to the collaboration with Exchange LA, a nightclub housed in the former stock market downtown, to the warehouse renovation in order to give Factory 93 a home in Los Angeles: the Insomniac brand has always understood the concept of the social requirements of electronic music. We go out to see certain artists and to dance, that is a givien; however, we go out to see and experience each other too. Initially I was slightly disappointed such a huge event as a Solomun+1 show would be happening at the Palladium, no matter how iconic it is. This venue is a concert venue and organized for fans to watch a show. Yes, dance music artists have played there before, but the set up does not encourage the interactive dancing and social atmosphere which a nightclub inherently has.
      However, upon walking in I immediately realized that for a Factory 93 event one will never get simply what they expect. The production team had completely reoriented the space and transformed the giant venue into a oblong nightclub. They built their own stage on the far left side rather than use the stage to the front of the entrance. It was fully equipped with lasers and led panels completed by a disco ball covering the crowd in prismatic glitter. They put in extra bars along where the stage normally sits which enhanced the nightclub atmosphere and reduced wait times to grab a drink. The entire venue was a bar and the entire bar was the dance floor.
      Hot Since 82 came on and enticed the crowd into a dance. However, the atmosphere created allowed for the chatting one can expect at the beginning of the night out in any city. As his set continued the white noise began to dissipate as his tone became a little deeper leading in perfectly to Solomun himself. The sets merged together seamlessly. I had not seen Solomun in action before and it was truly mesmerizing. The Factory 93 team had perfectly designed the visuals to enhance his music without being too distracting. The lasers hit at just the right moments and certain drops brought a flood of light allowing the smiles from across the room to be shared by all. Fans dancers waved brought a touch of a breeze to us all as we sweat together and danced the night away. They ended with a b2b set which tapered off every so slightly from the depth Solomun had brought us into and allowed us to make our way out and back into reality again.
      The only odd thing about the whole setup was that the VIP area was directly above the stage. People who had paid more money for a table or VIP access had no view of the DJs or stage itself. They did, however, have access to an exclusive bar and bathroom without a line. Also, there was no reason they couldn’t go downstairs and merge with the rest of the crowd. I can see how some people may have been put off; but, the venue was more of a nightclub than a concert venue. I think it may have forced more interaction than would have been the case on a normal night in Hollywood. Hollywood is a city where people love to feel exclusive. The show brought out an interesting mix of the Hollywood norm of bandage dresses and heels alongside bros wearing Factory 93 snapbacks and girls in glitter and combat boots. It was an amalgamation on Hollywood and the dance music community and Factory 93 created the perfect space for mixing without overemphasizing exclusivity. The change put everyone on more equal footing and the rearrangement made the dance floor large enough to accommodate a large crown without overcrowding.
      Solomun+1 was a huge success and I think perfectly highlights what Insomniac is seeking to do with the Factory 93 brand: bring together underground music lovers in safe spaces to share and experience music and culture. They never settle to simply use a venue the way it is but transform it to perfectly fit the artists and fans they bring into the space. It felt like I was in a new nightclub event though the Palladium has been around since the Golden Age of Hollywood. It shows Factory 93’s understanding of underground culture and I am excited for more collaborations with artists and venues to come in 2018.
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      The post Factory 93 Creates The Perfect Atmosphere For Solumun+1 In Los Angeles appeared first on Deep House Amsterdam.
      Source: Deep House Amsterdam
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